Circa Survive / Dredg / Codeseven / Animals as Leaders @ NYC 11/28/2010

November 28, 2010

Concluding a nationwide tour that began just one state away, Circa Survive wrapped things up with two sold out evenings at New York City’s Irving Plaza. On the second night — supported by Animals as Leaders, Codeseven, and Dredg — Circa Survive demonstrated why Blue Sky Noise is one of the year’s best albums, and why the band is one of rock’s most impressive live acts.

Animals as Leaders

Animals as Leaders

Instrumental metal trio Animals as Leaders started the evening at 7PM. Wielding eight-string guitars, Tosin Abasi and Javier Reyes shredded for more than twenty minutes, blasting thick, fast-paced riffs on top of thundering percussion. The Washington, DC, natives demonstrated incredible technical ability, wowing a receptive Irving Plaza crowd.

Codeseven

Codeseven

North Carolina’s Codeseven performed next, putting together a thirty minute set that was generally slow, droning, and boring. The five piece began with “Sunflower” — the last track from their last album, 2004′s Dancing Echoes/Dead Sounds. The band stuck largely to that Equal Vision Records release, stumbling through a series of uninteresting cuts such as “Southie” and “Alt. Wave”. “The Rescue” was the first exciting song and began to show promise, but the 2002 track wrapped up the band’s setlist at 8:15 PM.

Sunflower
Southie
Nasty Little Revolution
Alt. Wave
The Camel City
The Rescue

Dredg

Dredg

In stark contrast, Dredg performed a fantastic set just twenty minutes later. Beginning with “Pariah”, the first song from their excellent 2009 release, The Pariah, the Parrot, the Delusion, the band quickly set the tone for their forty-five minute set. Frontman Gavin Hayes lead the group’s technically intricate charge, with a surprising number of fans singing along to every word. Highlights of the excellent performance included a clever use of electric slide guitar on “Bug Eyes” and As Tall As Lions’s Duncan Tootill providing trumpet on “R U OK?”

The brand new “Upon Returning” offered a glimpse of what Dredg is working on for their next release, while El Cielo closer “The Canyon Behind Her” found the band pleasing longtime fans with with the 2002 selection. The Californians closed with a jam known as “DTD”, or “Drum Take Down”, an enjoyable live-only piece.

Pariah
Ode to the Sun
R U OK?
Savior
Jamais Vu
Upon Returning
Bug Eyes
Light Switch
The Canyon Behind Her
DTD

Circa Survive

Circa Survive

Circa Survive arrived on stage just before 10 PM, the sold out Irving Plaza roaring at the appearance of frontman Anthony Green. Much to the delight of a crowd eager to hear the band’s latest opus, the five-piece tore through Blue Sky Noise‘s first three songs in order, unleashing remarkable performances of “Strange Terrain”, “Get Out”, and “Glass Arrows” back-to-back-to-back. The band didn’t launch into the album’s fourth track — that would go last — but followed with the moody Juturna cut, “The Great Golden Baby”. The four minute favorite was appended with Green singing pieces of Ahmad’s classic “Back in the Day” in the outro: “Back in the days when I was young / I’m not a kid anymore, but some days I sit and wish I was a kid again”.

Circa Survive

Circa Survive

The band continued on with Juturna, this time joined by Animals as Leaders’s Abasi for “The Glorious Nosebleed”. Preceded by an extended introduction, “In Fear and Faith” sounded fresh and well-placed in the set. The band dug into their 2007 record for the first time with “The Difference Between Medicine and Poison is in the Dose” before inviting members of their fan club on stage to help perform “Spirit of the Stairwell” with Green on acoustic guitar. The unique performance — which also featureded lead guitarist Brendan Ekstrom on xylophone — was dedicated to James, Green’s son.

Circa Survive

Circa Survive

Intent on bringing things back to life after the brief acoustic intermission, balloons poured into the crowd (with Green jumping in as well) as Circa Survive lunged into back-to-back hard hitting performances of “Imaginary Enemy” and “Through the Desert Alone”, once again highlighting how well Blue Sky Noise flows together. “Act Appalled” segued into the outro of At the Drive-in’s “Invalid Litter Dept.” before ” On Letting Go closer “Your Friends Are Gone” wrapped things up and the Pennsylvania quintet walked off stage.

Circa Survive

Circa Survive

The band returned with a great performance of Blue Sky Noise‘s final moments — “Compendium” into “Dyed in the Wool”. “I Felt Free” was the next song on the printed setlist, but due to overwhelming chants from the crowd Circa Survive agreed to play “Stop the Fuckin’ Car”, noting that it was the first time the band had ever caved into audience pressure to play an unscheduled song. When the band did get to “I Felt Free”, crew, bands, and friends all joined on stage for the song in celebration of the end of the band’s most successful tour to date.

Strange Terrain
Get Out
Glass Arrows
The Great Golden Baby
Living Together
The Glorious Nosebleed
Fever Dreams
In Fear and Faith
The Difference Between Medicine and Poison is in the Dose
Spirit of the Stairwell
Imaginary Enemy
Through The Desert Alone
Act Appalled
Your Friends Are Gone
Compendium
Dyed in the Wool
Stop The Fuckin’ Car
I Felt Free

Circa Survive

Circa Survive

For ninety minutes, Circa Survive delivered their best performance to date. Ekstrom provided fantastic harmonies to Green’s soaring vocals while the entire band just clicked. Adding to the band’s impeccable musical performance, inflatable balloons and what seemed like an unending supply of confetti complemented outstanding lighting to provide a complete, immersive experience. It’s hard to imagine Circa Survive topping themselves in 2011 — but then again, it was hard to imagine that members of This Day Forward, Saosin, and Taken could top the output of their previous bands. The anomalous act will likely prove us all wrong again. I hope they do.


fun. / Steel Train / The Postelles @ NYC 11/27/2010

November 27, 2010

Concluding a tour that began in September, fun. returned to New York City for what looks to be their last time supporting 2009′s Aim and Ignite. With a new record just around the corner in 2011, the late November Webster Hall date gave fun. fans one last chance to hear the band’s debut in its entirety. Of course, support from up-and-comers The Postelles and stalwarts Steel Train only sweetened the Thanksgiving weekend event.

The Postelles

The Postelles

Supporting their self-titled debut, The Postelles opened the evening at 7PM in front of a hometown crowd. With bright, crunchy guitars and fine-tuned percussion, the quartet was immediately accessible. Songs like “Boy’s Best Friend” — an unplanned request from a rabid group of fans in the front row — epitomize the band’s lyrical content (“On the first night that I met her, I could tell she was my type / Then, she told me that she’d kissed the lips of girls I’d liked / Well I think I know now why she would go”), drawing immediate and favorable comparisons to bands like Plain White T’s. A surprising number of fans sang along to frontman Daniel Balk’s every word, with recent single “White Night” drawing the biggest response from the crowd. The hook-laden “Can’t Stand Still” wrapped up the band’s thirty-minute set.

Looking Glass
She She
123 Stop
Hey Little Sister
[new song]
Stella
Boy’s Best Friend
White Night
Can’t Stand Still

Steel Train

Steel Train

Steel Train walked on stage to Jay-Z’s “Empire State of Mind”, beginning their set with the first two tracks on their latest full-length, “Bullet” and “Turnpike Ghost”, back-to-back. Trampoline lead-off “I Feel Weird” followed, the five-piece settling into a solid rhythm. Full of enthusiasm and emotion, frontman Jack Antonoff engaged the crowd with his passionate vocals and exaggerated guitar motions. The New Jersey natives clicked for their entire forty-five minutes on stage.

“Kill Monsters in the Rain” featured The Postelles’s Daniel Balk, and “Firecracker” added Antonoff’s father on guitar, but it was all five members of Steel Train huddled around one microphone for “Road Song” that found the band at their best. “It’s Fun to Dance”, was, well, fun to dance to, and the entire Webster Hall crowd jumped along to the Yo Gabba Gabba tune. Following a sloppy Tom Petty cover, Steel Train ended their ten-song set with a fantastic performance of “SOG Burning in Hell”.

Bullet
Turnpike Ghost
I Feel Weird
Kill Monsters in the Rain
You Are Dangerous
It’s Fun to Dance
Firecracker
Road Song
American Girl (Tom Petty cover)
SOG Burning in Hell

fun.

fun.

fun. began with Aim and Ignite opener “Be Calm”, one of the band’s finer songs that is often neglected in live performances. “Walking the Dog” followed, frontman Nate Ruess delivering his trademark vocals over a simple melody backed by clever drumming and tremendous singalongs. Soaring harmonies kicked off the underplayed “Benson Hedges”, with the entire fun. camp contributing to the song’s opening lines: “Holy ghosts, when do you come out to play? / ‘Cause if the Lord is gonna find me, He’d better start looking today”.

fun.

fun.

The lighthearted “Roman Candle” went next, Andrew Dost laying the foundation with a cute piano riff that slowly evolved into a full band take on the minor scale tune. Some banter with the crowd lead to guitarist Jack Antonoff playing bits of Rage Against the Machine, the entire band laughing along to “Sleep Now in the Fire”.

fun.

fun.

“All the Pretty Girls” was predictably incredible, the six-piece showcasing nearly all of their moving parts in one song including clever percussion, harmonies, and handclaps. “Dog Problems”, from Ruess’s previous band, The Format, was fantastic, but it was “Barlights” that had Ruess delivering his most emotional vocals this evening: “I’m gonna live forever! I’m gonna live forever!”

fun.

fun.

Silencing any doubt that the band pays constant tribute to Queen, fun. unleashed a solid cover of the 1984 favorite “Radio Gaga”. Trading vocals with multi-instrumentalist Emily Moore, Ruess was all smiles during the bouncy “At Least I’m Not as Sad”. fun.’s encore began with the band and audience alike popping enormous balloons that showered the venue. After a few failed attempts (pesky balloons!) at actually jumping into “The Gambler”, fun. dedicated the song to Antonoff’s parents and performed a beautiful rendition of the song.

fun.

fun.

“Take Your Time” concluded fun.’s time on stage, literally — Ruess, Dost, and Antonoff leapt into the crowd during the song’s final moments, thanking everyone for selling out the band’s biggest show to date.

Be Calm
Walking the Dog
Benson Hedges
Roman Candle
I Wanna Be the One
All the Pretty Girls
Dog Problems (The Format cover)
Barlights
Radio Gaga (Queen cover)
At Least I’m Not as Sad (As I Used to Be)
The Gambler
Take Your Time (Coming Home)

fun.

fun.

Opening acts The Postelles and Steel Train added to the night’s value, each unleashing solid setlists that likely drew in many new fans. With a followup to Aim and Ignite coming next year, the Webster Hall date on fun.’s fall tour offered the perfect sendoff to their incredible debut.


Motion City Soundtrack / Say Anything / Saves the Day / A Great Big Pile of Leaves @ NYC 11/9/2010

November 9, 2010

Just a week earlier, Motion City Soundtrack, Say Anything, Saves the Day, and A Great Big Pile of Leaves played in New Jersey. For fans who missed out on the Starland Ballroom show, or for fans who needed a second dose of one of the year’s better touring packages, the lineup arrived in New York City with a twist: instead of Say Anything headlining the evening, the far superior Motion City Soundtrack would be closing out the night. With a now-healthy frontman and an extra twenty minutes on stage, the Minnesota quintet unleashed one of the finest performances of 2010.

A Great Big Pile of Leaves

A Great Big Pile of Leaves

Unsigned locals A Great Big Pile of Leaves opened the evening with a pleasing blend of jazzy guitars and an indie-rock approach. Anchored by three-way vocal harmonies, the Brooklyn trio (rounded out with an additional guitarist for live performances) played a rock-solid twenty-five minute set that began with “Alligator Bop”, the first song on their excellent 2010 debut, Have You Seen My Prefrontal Cortex?. Though most of the band’s set came from that album, A Great Big Pile of Leaves also tossed in two cuts from 2007′s The Firery Works EP, including “workeatsleep”, a technical beauty driven by a nicely worked finger-tapped guitar lead. “We Don’t Need Our Heads” finished the band’s six song setlist.

Alligator Bop
Vampires in Love
This is a Country Song
workeatsleep
A Few Screws Loose
We Don’t Need Our Heads

Saves the Day

Saves the Day

“Anywhere With You” kicked things off for Saves the Day just after 7PM. The New Jersey four-piece drew singalongs from an eager crowd, all the while sounding as tight as they’ve ever sounded. Things picked up immediately with “Firefly”, frontman Chris Conley launching into the song’s instantly-recognizable first words: “I said I’d walk you home after our third round of pouring whiskey down the barrel of our guts!”

Saves the Day

Saves the Day

Through Being Cool‘s “Shoulder to the Wheel” is always a welcomed part of any Saves the Day setlist, but it was the brand new songs from the upcoming Daybreak that were most interesting: “1984″, “Let it All Go”, and “Z”, the last featuring a stunning guitar solo. The quartet’s forty-five minute setlist included tracks from most of the band’s discography, including powerful performances of singles “Rocks Tonic Juice Magic” and “At Your Funeral”.

Anywhere With You
Firefly
Shoulder to the Wheel
1984
The End
Cars and Calories
Let It All Go
Third Engine
Freakish
Eulogy
Can’t Stay the Same
Z
Rocks Tonic Juice Magic
At Your Funeral

Say Anything

Say Anything

Say Anything occupied Best Buy Theater’s stage between 8:15 and 9:15PM. The six-piece, with The Starting Line’s Kenny Vasoli filling in on bass, played fourteen songs across their entire discography, digging all the way back to their first full-length, Baseball, with “Colorblind”. Though Say Anything brought intensity to the stage and routinely engaged the crowd, the Max Bemis-fronted project lacked the songs to back the band’s otherwise ferocious punch. Say Anything’s catalog ranges from trite and uninteresting (“Woe”), at best, to downright grating (“Wow, I Can Get Sexual, Too”). Luckily, the band did spend a few minutes of their hour-long set with Chris Conley covering “Crawl”, a track recorded earlier in the year by the Bemis/Conley collaboration Two Tongues. Former bassist Alex Kent returned for …Is a Real Boy leadoff “Belt”, wrapping up Say Anything’s time on stage.

Crush’d
Little Girls
Woe
Baby Girl, I’m a Blur
Less Cute
Yellow Cat (Slash) Red Cat
Alive With the Glory of Love
Crawl (Two Tongues cover)
Wow… I Can Get Sexual, Too
Spay Me
She Won’t Follow You
Colorblind
Do Better
Belt

Motion City Soundtrack

Motion City Soundtrack

After a short set change, Motion City Soundtrack began with “The Weakends”, the song’s instrumental introduction building excitement in the crowd, finally boiling over with frontman Justin Pierre’s clever lyrics and equally quirky demeanor: “Quicksand is a coat of arms / looseleaf and some liquid fiction / Last Rites every Friday night / am I weaker with the lights on?” It was the next song, though — longtime favorite “The Future Freaks Me Out” — that brought the audience to full attention with enormous hooks and commanding vocals.

Motion City Soundtrack

Motion City Soundtrack

“Capital H”, another standout track from the excellent I am the Movie, kept things rolling for Motion City Soundtrack. The five-piece sounded as strong as ever, and, with a healthy Pierre leading the charge, made a case for perhaps their best performance to date in New York City. Exhibits A and B: new cuts “Pulp Fiction” and “Her Words Destroyed My Planet”, two My Dinosaur Life songs performed flawlessly live. Lesser seen songs, like “Point of Extinction” and “Perfect Teeth”, illustrate the difficulty in picking out a Motion City Soundtrack setlist: their discography is packed with distinguished punk-pop romps. Fleshed out songs like “Hold Me Down” showcase the band’s thicker, slower sound, while the set-closing “My Favorite Accident” exemplified the band’s lighter, simple-synth-driven sound.

Motion City Soundtrack

Motion City Soundtrack

Motion City Soundtrack’s encore began with a surprise that excited parts of the crowd while simultaneously leaving hordes of teenage girls in the dark: Nine Inch Nails’s “Head Like a Hole”. With thundering bass and rattling drums, the Minneapolis natives delivered a respectable rendition of one of Trent Reznor’s finest songs. Of course, Motion City Soundtrack didn’t leave their massive teenage fanbase hungry, treating New York City to one of their best (and undeniably most popular) songs, “Everything is Alright”, to finish the evening at 10:45.

The Weakends
The Future Freaks Me Out
This Is For Real
Capital H
Attractive Today
Pulp Fiction
LG Fuad
Broken Heart
Time Turned Fragile
Point Of Extinction
Perfect Teeth
Her Words Destroyed My Planet
A Lifeless Ordinary (Need A Little Help)
Last Night
Hold Me Down
My Favorite Accident
Head Like a Hole (Nine Inch Nails cover)
Disappear
Everything is Alright

Dignified sets from A Great Big Pile of Leaves and Saves the Day warmed the Best Buy Theater crowd, but it was Motion City Soundtrack — armed with more than hour of time on stage — that delivered the night’s finest performance. Performing nineteen songs across each of the their full-length albums, it’s tough for anyone to outshine Motion City Soundtrack. With a stellar live show built on a vigorous touring schedule, and the release of one of 2010′s best records, it’s hard to see Motion City Soundtrack slowing down any time soon. Everything is alright.


Bad Religion @ NYC 10/26/2010

October 26, 2010

Celebrating their thirtieth anniversary, Bad Religion scheduled three nights in New York City (with support from The Aggrolites and Off With Their Heads) to tackle material across their entire discography. On the second night, the California punk legends focused on songs released in the 1990s, digging into Against the Grain, Generator, Recipe for Hate, Stranger Than Fiction, The Gray Race, and No Substance. Things began with the 1996 title track, “The Gray Race”, and continued on with two more album leadoffs, “Hear It” (No Substance) and “Modern Man” (Against the Grain). The band tore through a handful of other classics before stopping to acknowledge their recent release of The Dissent of Man and subsequently performing that album’s “The Resist Stance”.

Bad Religion

Bad Religion

It was the band’s older material, though, that drew the biggest response from the motley crowd. Mohawks and mothers, fratboys and fathers — generations of fans sang along to cuts like “Anesthesia”, their only commonality a love for the most prolific punk band in existence. Discontent with resting solely on their past efforts, though, Bad Religion tossed in new songs like “Avalon”, proving that frontman Greg Gaffin is still a potent lyricist. The brand new “Wrong Way Kids”, sewn in between two 1992 cuts, sounded right at home with speedy riffs and unrelenting drums. The slower “Infected” seemed to conclude Bad Religion’s set, but “American Jesus” kicked off the encore as the spacious Irving Plaza floor opened into a gigantic circle of dancing and running. It almost wouldn’t be a Bad Religion show without “Fuck Armageddon…This is Hell”, so the quintet launched in the 1982 track, drawing the biggest applause of the night. “Sorrow” closed out the evening, capping off a fantastic twenty-five song set.

The Gray Race
Hear It
Modern Man
Stranger Than Fiction
Recipe For Hate
Flat Earth Society
The Resist Stance
Man With A Mission
Marked
Struck a Nerve
A Walk
Anesthesia
Avalon
Sowing The Seeds Of Utopia
Turn On The Light
Come Join Us
No Direction
What It Is
Atomic Garden
Wrong Way Kids
Generator
Infected
American Jesus
Fuck Armageddon…This is Hell
Sorrow

It’s obvious that few bands last even one decade, and even fewer acts continue through thirty years. What’s most surprising, and important, about Bad Religion, however, is their consistency. On average, the band has released a full-length effort every two years, each album potent and relevant. Fans argue fiercely over which album is the band’s best work, citing widespread influence and lyrical prowess as supporting facts for their particular favorite; perhaps those arguments are the most telling examples of Bad Religion’s long-lasting excellence.


Bayside / Title Fight / Balance and Composure @ NYC 10/21/2010

October 21, 2010

The “Out with the In Crowd” tour didn’t kick off in New York City, but one of its first stops hit CMJ Music Marathon at the 700-person Highline Ballroom in Manhattan. Featuring rotating co-headlining slots between Senses Fail and Bayside with support from Pennsylvania natives Title Fight and Balance and Composure, the lineup is one of the fall’s finest punk-based tours.

Balance and Composure

Balance and Composure

Balance and Composure played first, in front of a fairly small crowd. The band stuck to material from their latest split with Tigers Jaw and their most recent EP, Only Boundaries, tossing in a brand new song (“Separation”) in the process. The five-piece, featuring lead vocals from guitarists Jon Simmons and Andrew Slaymaker, executed well during their six-song setlist. Undoubtedly paying tribute to pioneers like Mineral and recent acts such as Brand New, the band stands on their own, as well: Balance and Composure deliver their songs with refreshing integrity and urgency.

Burden
Kaleidoscope
I Can’t Do This Alone
Separation
Twenty Four
Show Your Face

Title Fight

Title Fight

Title Fight opened with The Last Thing You Forget‘s “Introvert” and ripped through a very brief ten-song setlist that lasted just under thirty minutes.  Vocalist Ned Russin struggled through most of the set, but thankfully guitarist Jamie Rhoden provided vocals to many of the band’s closing songs including the brand new “Dream Catcher” and 2009 favorites “Loud and Clear” and “Symmetry”. “Goldwaite”, from the band’s 2007 split with The Erection Kids, made a surprise appearance much to the delight of some passionate Title Fight fans sprinkled throughout the room. The quartet performed with remarkable energy and passion, and, with tighter vocals, could be one of the better live punk acts in the genre.

Introvert
Youreyeah
Memorial Field
Western Haikus
Goldwaite
Evander
No One Stays at the Top Forever
Dream Catcher
Loud and Clear
Symmetry

Bayside

Bayside

Walking out to the famous Rocky-series pump-up music (Bill Conti’s “Gonna Fly Now”) blaring through the venue’s PA, Bayside set the tone of their set immediately with The Walking Wounded‘s title track. Two more cuts from their 2007 effort followed (“Duality” and “They’re Not Horses, They’re Unicorns”) before the band made good on their pre-tour promise to include some lesser-played old songs in the setlist. “Alcohol and Alter Boys” thrilled long-time Bayside fans, who appropriately responded with crowd-dismantling dancing. Sirens and Condolences also contributed the rarely seen “Just Enough to Love You”, and Bayside even tossed in a song from the criminally underperformed Shudder, “I Think I’ll Be Ok”.

Bayside

Bayside

Of course, staples such as  “Tortures of the Damned” and “Montauk” remained in the set and were played with the kind of precision only attainable from hundreds of shows of practice. The brand new “Already Gone” made its New York debut to a surprisingly warm response, despite the song being released just days earlier exclusively through iTunes. “Half a Life” was a welcomed surprise to the hour-long setlist, but the night’s biggest shock came in the form of a Weezer cover: “My Name is Jonas”. Frontman Anthony Raneri’s unique voice gave the fifteen-year old song a new spin and allowed Bayside to capture the song as their own. As expected, “Devotion and Desire” wrapped up the fifteen song setlist with the biggest pit of the evening.

The Walking Wounded
Duality
They’re Not Horses, They’re Unicorns
Alcohol and Alter Boys
Already Gone
Tortures of the Damned
Just Enough to Love You
I Think I’ll Be Okay
Half a Life
Landing Feet First
(POP)ular Science
Montauk
Blame It On Bad Luck
My Name is Jonas (Weezer cover)
Devotion and Desire

Bayside

Bayside

With just an hour to mix up four albums of material, Bayside did a commendable job of straying from their previously stale setlists. Though Shudder has still yet to see proper live treatment, the Queens quartet picked solid lesser-played tracks from The Walking Wounded (“(POP)ular Science”) and their self-titled release (“Half a Life”) to keep things fresh. By now, Bayside’s live performance is fairly established as being one of genre’s strongest; it’s nice to see that attitude applied to a different set of songs. Few bands offer Raneri’s passion or guitarist Jack O’Shea’s technical prowess, so seeing it all come to life in a live environment is even more exciting.

All photos by the excellent arielebeau.


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