Dustin Kensrue / Chris Conley / Matt Pryor / Anthony Raneri @ NYC 12/11/2010

December 11, 2010

Featuring the principle songwriters of Thrice, Saves the Day, The Get Up Kids, and Bayside, the “Where’s the Band?” tour arrived in Brooklyn at the Music Hall of Williamsburg two weeks before Christmas, the first of two New York City dates featuring the four prolific songwriters. The tour’s premise was simple but quite attractive with Dustin Kensrue, Chris Conley, Matt Pryor, and Anthony Raneri performing acoustic sets of their own material as well as some covers and some holiday-themed favorites.

Anthony Raneri

Anthony Raneri

Anthony Raneri performed first, beginning the evening with a cover of Matt Skiba’s “Good Fucking Bye”, one of his staples when performing solo. Raneri showcased his own songwriting talents, as well, with normally-electric Bayside songs like “Landing Feet First” and “Blame it on Bad Luck” sounding great stripped down. Save the Day’s “You Vandal” was a pleasant surprise; “Meghan”, often covered by Raneri with his full band, concluded the enjoyable seven-song set.

Good Fucking Bye (Matt Skiba cover)
Don’t Call Me Peanut (Bayside cover)
Sorrow (Bad Religion cover)
Landing Feet First (Bayside cover)
Blame it on Bad Luck (Bayside cover)
You Vandal (Saves the Day cover)
Meghan (Smoking Popes cover)

Matt Pryor

Matt Pryor

Matt Pryor performed a varied set, drawing from his own solo record, The Get Up Kids, The New Amsterdams, and other songwriters on the tour. Pryor sounded best when taking on the songs he wrote for Confidence Man or with his aforementioned bands; “The Ghost of St. Valentine” was awkward and unemotional, in complete contrast to Bayside’s original. He did better with Saves the Day’s “Freakish” — mixed with parts of “Lorelei” and Cee-Lo Green’s “Fuck You” — but “A Totally New Year” and “Hannah Hold On” were clearly some of Pryor’s better offerings.

A Totally New Year
Sympathy (The Get Up Kids cover)
The Ghost of St. Valentine (Bayside cover)
Stay on the Phone (The New Amsterdams cover)
Like a Man Possessed (The Get Up Kids cover)
Freakish (Saves the Day cover)
Proceed With Caution (The New Amsterdams cover)
Still, There’s a Light
Hannah Hold On (The Get Up Kids cover)

Matt Pryor and Chris Conley

Matt Pryor and Chris Conley

Chris Conley joined Pryor to perform the festive “Rudolf the Red Nosed Reindeer”, the duo delivering a fun singalong in the spirit of the coming holiday. Conley’s solo set was almost entirely acoustic versions of Saves the Day songs, with only a cover of “Confidence Man” breaking things up near the end. The New Jersey native sounded fantastic, selecting a great hour-long setlist in the process. Conley’s Saves the Day songs were noticeably more intricate than those performed by Raneri and Pryor, with catchy finger-picked riffs adding constant variety to the set. Highlights included “Jessie and My Whetstone”, “Sell My Old Clothes, I’m Off to Heaven”, and “This is Not an Exit”. Unexpectedly, Conley concluded his time on stage with “Jodie” — the last song on Save the Day’s first record released in 1998 — pleasing longtime fans who were likely experiencing the song live for the first time.

Rudolf the Red Nosed Reindeer
Jessie and My Whetstone (Saves the Day cover)
I’m Sorry I’m Leaving (Saves the Day cover)
Take Our Cars Now! (Saves the Day cover)
Cars and Calories (Saves the Day cover)
Let It All Go (Saves the Day cover)
Rocks Tonic Juice Magic (Saves the Day cover)
Certain Tragedy (Saves the Day cover)
Stay (Saves the Day cover)
Sell My Old Clothes, I’m Off to Heaven (Saves the Day cover)
Confidence Man (Matt Pryor cover)
Dying Day (Saves the Day cover)
Hold (Saves the Day cover)
This is Not an Exit (Saves the Day cover)
Jodie (Saves the Day cover)

Dustin Kensrue

Dustin Kensrue

Unlike the previous three performers, Dustin Kensrue stuck primarily to his own solo output for the duration of his set. The beautiful “Pistol” and haunting “Consider the Ravens” from Please Come Home began the the Thrice frontman’s hour-song set. Kensrue covered one of Saves the Day’s oldest songs (“Three Miles Down”) before jumping into a stripped down version of one of Thrice’s newest (“In Exhile”).

Kensrue reflected on the Christian side of Christmas with “Go Tell it On the Mountain”, performing the traditional song with hints of Tom Waits’s own adaptation tossed in. Kensrue was undoubtedly at his best on songs from his 2007 debut — such as the fast-paced “I Knew You Before” and “Blood and  Wine” — but acoustic takes on tracks from Thrice’s The Artist in the Ambulance were also impressive. Kensrue touched on Waits again with the beautiful “Down There by the Train”, finally wrapping things up with help from Pryor on a Ryan Adams cover.

Pistol
Consider the Ravens
This is War
Three Miles Down (Saves the Day cover)
In Exile (Thrice cover)
I Knew You Before
Go Tell it On the Mountain
This Good Night Is Still Everywhere
Please Come Home
Stare at the Sun (Thrice cover)
Blanket of Ghosts
Blood and Wine
The Artist in the Ambulance (Thrice cover)
Beggars (Thrice cover)
Down There by the Train (Tom Waits cover)
Oh My Sweet Carolina (Ryan Adams cover)
Linoleum (NOFX cover)
Boxcar (Jawbreaker cover)
Christmas (Baby Please Come Home) (Darlene Love cover)

Anthony Raneri, Matt Pryor, and Chris Conley

Anthony Raneri, Matt Pryor, and Chris Conley

All four singer-songwriters joined together “to play some punk rock songs” (and one Christmas classic) to close the evening. Punk in Drublic‘s “Linoleum” went first, with the quartet of men in their thirties smiling ear-to-ear while singing lines like “I’ve got a bed, and a guitar, and a dog named Bob who pisses on my floor”. Jawbreaker’s “Boxcar” was chilling and graceful, thanks to both Blake Schwarzenbach’s lyrical prowess and the collective attitudes of Kensrue, Pryor, Conley, and Raneri. Phil Spector’s often-covered “Christmas (Baby Please Come Home)” concluded the evening, sending the sold out crowd into the winter cold smiling and warm from the enchanting evening; the lucky ones would be returning to New York City on Sunday for the tour’s second night.


Kevin Devine / Miniature Tigers / River City Extension / Death on Two Wheels @ NYC 10/19/2010

October 19, 2010

Leading a monster CMJ Music Marathon lineup that included Miniature Tigers, River City Extension, Death on Two Wheels, and Oh Land, Kevin Devine and the Goddamned Band tackled their hometown at Brooklyn’s Music Hall of Williamsburg on a cool October evening in New York City.

Death on Two Wheels

Death on Two Wheels

Unfortunately arriving late and missing Oh Land, the first band I caught was five-piece Death on Two Wheels. The Georgia natives played a brief set of ’70s-styled rock and roll, featuring two rowdy guitars and complementing keyboards. In addition to some newer songs, the quintet played cuts from their eleven-track debut, Separation Of Church & Fate. Genuinely enjoying their time on stage, the energy trickled down to the crowd and warmed the room for a great evening of music.

River City Extension

River City Extension

The eight-piece River City Extension began at 9PM, playing thirty minutes of peculiar indie/punk/folk/rock filled with cello, banjo, horns, and various nontraditional percussion. Most of the cuts came from the band’s latest full-length, The Unmistakable Man, and were brought to life with an energy only hinted at on the studio recordings. “Something Salty, Something Sweet”, for example, is excellent on tape, but the song really begs for a live experience and singalong. Similarly, songs like “Mexico” and “Adrianne” simply explode on stage.

River City Extension

River City Extension

With handclaps, strings, and syncopated instrumentation, the penultimate “Our New Intelligence” seemed to be the night’s crowning moment and might have been the highlight of most CMJ shows. Somehow, though, the band topped themselves once again with their final song: “Bone Marrow Twist and Shout”. Grabbing their instruments and hopping down from the stage, River City Extension brought the party to the crowd. The octet slammed acoustic chords and unmiked drums on the floor, bumping elbows with anyone daring enough to dance along.

River City Extension

River City Extension

For years, The Gaslight Anthem remained New Jersey’s best-kept secret, but the torch has undoubtedly been passed onto Toms River’s River City Extension. Hopefully stints with acts like Dashboard Confessional (December 7 in Manhattan) and The Get Up Kids strip away that title, though: River City Extension is just too good to keep locked down in the Garden State.

(unidentified song)
Something Salty, Something Sweet
Mexico
Adrianne
Our New Intelligence
Bone Marrow Twist and Shout

Miniature Tigers

Miniature Tigers

Just twenty minutes later, Miniature Tigers found themselves in a tough spot, having to follow the incredible River City Extension. The Brooklyn locals jumped into things with “Tropical Birds” and a half-hour string of other new songs from their sophomore full-length, Fortress. Soaring harmonies and quirky acoustic riffs lay the foundation for most of the band’s output, which seems rooted in experimentation in mind-altering drugs: songs like “Coyote Enchantment” couldn’t be written any other way.

Miniature Tigers

Miniature Tigers

“Lolita” seemed to come out of nowhere with a beautiful, elegant piano introduction, but things returned to status quo when the band jumped on the use of a rainstick and a bizarre “woo-hoo-hoo” vocal hook. Status quo, of course, is anything but; the band thrives on unconventional song structures and methods. Frontman Charlie Brand delivers everything with a convincing, unassuming demeanor, and it works. Miniature Tigers deserve high praise not just for their experimental indie-pop but also for their tightly executed live performance.

Tropical Birds
Rock N’ Roll Mountain
Bullfighter Jacket
Egyptian Robe
Coyote Enchantment
Dark Tower
Lolita
Mansion of Misery

Kevin Devine

Kevin Devine and the Goddamn Band

“Trouble” kicked things off for Kevin Devine and the Goddamn Band, the five-piece racing through the excellent 2006 cut.  “You’re My Incentive” went next, with Devine modifying various lyrics (“but your man slept with the waitress” replacing “as your man hits on the waitress”, for example) to reflect an even more desperate and dire tone. The spacious “Carnival” sounded great, with bits of improvisation tossed into each of the song’s constantly shifting structures; a massive feedback outro lead directly into “Another Bag of Bones”. Before “You’ll Only Up Joining Them”, Devine revealed that the setlist was hand-selected by various members of The Goddamned Band, with guitarist Russell Smith selecting the Put Your Ghost to Rest track. The band played through a faster version of the song before jumping into the rarely seen “The Shift Change Splits the Streets”.

Kevin Devine and the Goddamn Band

Kevin Devine and the Goddamn Band

The brand new “Big, Bad Man” was accompanied by Kelly Pratt, who remained on stage to provide horns for a handful of songs including “Fever Moon” which relies on a well-crafted trumpet solo to stitch the song together. Devine added some strange barking to “Murphy’s Song”, clearly enjoying every minute on stage in his hometown in front of friends and family. The lyrically stunning “Noose Dressed Like a Necklace” was supplemented with a bit of Devine’s signature cynicism: “They want you to whistle why you work — your life away.”

“Hand of God” kept the set rolling, but the biggest crowd-pleaser of the evening was undoubtedly a great performance of “Just Stay”. “The Burning City Smoking” was the night’s highlight, though, with Kevin Devine and the Goddamn Band pouring their souls into a song about “shitty journalists and shitty leadership”. Brother’s Blood cuts “Yr Husband” and “I Could Be With Anyone” dwarfed their studio counterparts, the latter featuring live beatboxing from keyboardist Brian Bonz.

Kevin Devine and the Goddamn Band

Kevin Devine and the Goddamn Band

Monty Love joined Kevin Devine and the Goddamned Band for “Cotton Crush” before the sextet performed a very different version of Make the Clocks Move leadoff “Ballgame”. B-side “She Stayed as Steam” ended the setlist, but the band returned with “You Are the Daybreak” and a seven-minute version of “Brother’s Blood” to wrap up the evening at 12:20PM.

Trouble
You’re My Incentive
Carnival
Another Bag of Bones (Time to Burn)
You’ll Only End Up Joining Them
The Shift Change Splits the Streets
Big Bad Man
Fever Moon
Murphy’s Song
Noose Dressed Like a Necklace
Hand of God
Just Stay
The Burning City Smoking
Yr Husband
I Could Be With Anyone
Cotton Crush
Ballgame
She Stayed as Steam
You Are the Daybreak
My Brother’s Blood

Kevin Devine and the Goddamned Band performed for just under ninety minutes, offering the crowd what might have been their best performance to date. Everything clicked, and, despite a hit-or-miss CMJ audience, the six-piece was simply fantastic across twenty songs spanning eight years of recordings. Devine announced that he would be finished playing in New York City for the year; the night’s performance undoubtedly created anticipation for his inevitable return in 2011.

All photographs by the extremely talented Kenami.


The Get Up Kids / Kevin Devine @ NYC 11/1

November 1, 2009

On their first full American tour since reuniting earlier in the year, The Get Up Kids approached New York City with a three-night stand across Manhattan and Brooklyn. On the heels of a special Halloween show that found the band performing all of Something to Write Home About, the Kansas City five-piece took aim at the Music Hall of Williamsburg.

At home in Brooklyn in front of friends and family, Kevin Devine opened with a solo performance of “Brooklyn Boy” at before being joined by The Goddamn Band for the rest of the set. A few older cuts were tossed into the mix (“Flatline Blur” and “Noose Dressed Like a Necklace” from 2003′s Make the Clocks Move); the set was fairly well spread across his discography.

Kevin Devine

Kevin Devine

Songs from Brother’s Blood were strong, including the enormous title track and the pointed single, “Another Bag of Bones”. Midway through “Carnival” Devine experienced guitar troubles, possibly reducing the forty-minute set from nine to eight songs as the crew struggled to get a working guitar and amplifier on stage. Nonetheless, Kevin Devine and the Goddamn Band sounded as strong as ever and adequately warmed the crowd for the feature act. The full set:

Brooklyn Boy
Flatline Blur
Go Haunt Someone Else
Yr Husband
Carnival
Another Bag of Bones
Noose Dressed Like a Necklace
Brother’s Blood

The Get Up Kids sounded great, reaching across their entire discography from 1997′s Four Minute Mile to their 2004 farewell, Guilt Show. Older songs like “Coming Clean” and “Mass Pike” offered a glimpse into what set The Get Up Kids apart from their peers in their earliest days as a band; 1999 cuts like “Holiday” and “Out of Reach” hinted at the band’s more mature sound that would come full circle with 2002′s On a Wire.

The Get Up Kids

The Get Up Kids

As highlighted on songs such as “Overdue”, Matt Pryor delivered a strong vocal performance throughout the night. The Cure’s “Close to Me” received quality treatment as part of an encore that even found Pryor stepping up to sing “Ten Minutes” for the first time ever, as the standard singer for the song, guitarist Jim Suptic, was unable to sing due to illness. Keyboardist James Dewees helped fill in on backing vocals where necessary, as well, injecting his more hardcore vocal approach into the mix.

By night’s end, it was hard to want more from The Get Up Kids (except maybe the Suptic-sung “Campfire Kansas”, one of their strongest songs). Held together by the Pope brothers rhythm section–bassist Rob and drummer Ryan–the band was incredibly tight and extremely energetic for more than hour. The band plans to record in 2010; if the night’s performance is any indication, the upcoming songs should sound phenomenal.

All photographs by the extremely talented Kenami.

inTuneMusic is very interested in any submissions/corrections from this event including photographs, setlists, and audio/video. Please contact us, you will receive complete credit for any submission.


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