Anthony Raneri / Kevin Devine / Vinnie Caruana / JT Woodruff / Shane Henderson @ Farmingdale 1/21/10

January 21, 2010

Assembling the chief songwriters of Bayside, I am the Avalanche, Hawthorne Heights, and Valencia, and tossing in Kevin Devine,  Long Island’s Crazy Donkey hosted an evening of acoustic performances by five talented musicians. Each artist approached their set in a completely different manner, making for an unpredictable and exciting evening.

The night’s first performance was by Valencia frontman Shane Henderson, though I unfortunately managed to catch just two songs. Henderson’s penultimate song was “Away We Go”, a song recorded by Valencia for their debut album, This Could Be a Possibility, but originally appearing on Promise of Redemption’s Lights That Flicker Will Surely Fade – Henderson’s debut solo album. “From the Second I Wake Up…”, a song from Promise of Redemption’s second album, closed the set.

JT Woodruff performed next, playing a seven-song set that included six originals and one Face to Face cover, chosen for its significance in introducing the Hawthorne Heights songwriter to punk rock. Wisely opting not to perform any of his band’s songs (even denying a request for the awful “Ohio is for Lovers”), Woodruff’s performance was somewhat enjoyable yet clearly the weakest link in an otherwise outstanding night. The set began with a song about his hometown, followed by a quick number about his daughter Avery. The set’s highlight was clearly “Friends in the Sky”, a heartfelt tribute to lost friends including former bandmate Casey Calvert, Bayside’s John “Beatz” Holohan, and recently deceased Avenged Sevenfold drummer “The Rev”. Woodruff closed his set on a less-heavy note, however, with “Least Favorite Things 2009″, a jab at the current neon culture and even Lady Gaga. The set:

(New song)
Avery
Disconnected (Face to Face cover)
(New song)
(New song)
Friends in the Sky
Least Favorite Things 2009

Vinnie Caruana

Vinnie Caruana

Vinnie Caruana began his set with a solid new song, moving quickly into staple “Hey” from The Movielife’s Forty Hour Train Back to Penn. “Drinking Song” and “Green Eyes”, from Caruana’s current project, I am the Avalanche, sounded great. A few more favorites from The Movielife and some rants about New York sports–specifically regarding the success of the New York Jets and the disappointments of the New York Mets–preceded “Brooklyn Dodgers”, a new I Am the Avalanche song dedicated to his mother and father in attendance. The extremely personal “I Took a Beating” closed out a solid set from the Long Island native. The full set:

(New song)
Hey (The Movielife)
Drinking Song (I am the Avalanche)
Green Eyes (I am the Avalanche)
Sailor Tattoos (The Movielife)
Walking on Glass (The Movielife)
Brooklyn Dodgers (I am the Avalanche)
I Took a Beating (I am the Avalanche)

Kevin Devine

Kevin Devine

Brooklyn boy Kevin Devine played fourth, beginning with “Brother’s Blood” from his 2009 album of the same name. Despite being stripped down to its acoustic roots, the song benefited greatly from Devine’s unfeigned and fiery delivery. “Noose Dressed Like a Necklace”, from 2003′s Make the Clocks Move, was a welcomed addition to the setlist; “Keep Ringing Your Bell” was as personal and sincere as any song all evening. Unafraid to show his political and religious convictions, “Another Bag of Bones” injected biting cynicism into the set. A promising, brand new song preceded “Cotton Crush”; “Ballgame” found Devine once again tackling politics, this time in context to his own life decisions. The final song of Devine’s excellent nine-song selection was “Yr Damned Ol’ Dad”, performed significantly slower and softer than normal. The full list:

Brother’s Blood
Noose Dressed Like a Necklace
Keep Ringing Your Bell
Another Bag of Bones
Carnival
(New song)
Cotton Crush
Ballgame
Yr Damned Ol’ Dad

Headliner Anthony Raneri began his thirteen-song setlist with a solid cover of Matt Skiba’s “Good Fucking Bye”, receiving a fairly warm response. The crowd really cheered, however, as Raneri started to play the opening notes of the extremely emotional “Don’t Call Me Peanut”. A strong cover of Bad Religion’s “Sorrow” preceded “Landing Feet First”, a song Raneri called the “first and last love song” he has ever written.

Anthony Raneri

Anthony Raneri

After briefly explaining that using a capo on his guitar was new territory for the experienced frontman, Raneri performed “The Ghost of St. Valentine” from Bayside’s Shudder and Tim McGraw’s “Just to See You Smile”. Talking over the intro riff of “Duality”, Raneri commented that this song finally allowed him to have his “rockstar moment” — that is, a song with an introduction that can be extended indefinitely while the band addresses the crowd over the riff.

A sloppy Counting Crows cover followed, but Raneri rebounded with a compelling performance of “The Ballad of Bill the Saint”, a song destined one day for an Anthony Raneri solo album. Acknowledging that he has too much respect for the instrument to call himself a “true guitarist”, Raneri condeded that he probably butchers “I’ll Follow You into the Dark” but loves the song and plays it anyway. Oft covered by Bayside, Smoking Popes’s “Megan” finished the set. The full list:

Good Fucking Bye (Matt Skiba cover)
Don’t Call Me Peanut (Bayside)
Sorrow (Bad Religion cover)
Landing Feet First (Bayside)
The Ghost of St. Valentine (Bayside)
Just to See You Smile (Tim McGraw cover)
Duality (Bayside)
Blame it on Bad Luck (Bayside)
A Long December (Counting Crows cover)
I and I (Bayside)
The Ballad of Bill the Saint
I’ll Follow You into the Dark (Death Cab for Cutie cover)
Megan (Smoking Popes cover)

With each artist taking a unique approach to his set (originals, covers, and parodies), the night moved along at a rapid pace; downtime between artists was brief — it was, after all, just a microphone and a guitar that needed setup. With the longest set time and biggest fanbase in attendance, Anthony Raneri clearly stole the show. Still, Kevin Devine’s performance was the most seasoned, making it clear that as a solo artist he is by far the most talented of the batch.


The Get Up Kids / Kevin Devine @ NYC 11/1

November 1, 2009

On their first full American tour since reuniting earlier in the year, The Get Up Kids approached New York City with a three-night stand across Manhattan and Brooklyn. On the heels of a special Halloween show that found the band performing all of Something to Write Home About, the Kansas City five-piece took aim at the Music Hall of Williamsburg.

At home in Brooklyn in front of friends and family, Kevin Devine opened with a solo performance of “Brooklyn Boy” at before being joined by The Goddamn Band for the rest of the set. A few older cuts were tossed into the mix (“Flatline Blur” and “Noose Dressed Like a Necklace” from 2003′s Make the Clocks Move); the set was fairly well spread across his discography.

Kevin Devine

Kevin Devine

Songs from Brother’s Blood were strong, including the enormous title track and the pointed single, “Another Bag of Bones”. Midway through “Carnival” Devine experienced guitar troubles, possibly reducing the forty-minute set from nine to eight songs as the crew struggled to get a working guitar and amplifier on stage. Nonetheless, Kevin Devine and the Goddamn Band sounded as strong as ever and adequately warmed the crowd for the feature act. The full set:

Brooklyn Boy
Flatline Blur
Go Haunt Someone Else
Yr Husband
Carnival
Another Bag of Bones
Noose Dressed Like a Necklace
Brother’s Blood

The Get Up Kids sounded great, reaching across their entire discography from 1997′s Four Minute Mile to their 2004 farewell, Guilt Show. Older songs like “Coming Clean” and “Mass Pike” offered a glimpse into what set The Get Up Kids apart from their peers in their earliest days as a band; 1999 cuts like “Holiday” and “Out of Reach” hinted at the band’s more mature sound that would come full circle with 2002′s On a Wire.

The Get Up Kids

The Get Up Kids

As highlighted on songs such as “Overdue”, Matt Pryor delivered a strong vocal performance throughout the night. The Cure’s “Close to Me” received quality treatment as part of an encore that even found Pryor stepping up to sing “Ten Minutes” for the first time ever, as the standard singer for the song, guitarist Jim Suptic, was unable to sing due to illness. Keyboardist James Dewees helped fill in on backing vocals where necessary, as well, injecting his more hardcore vocal approach into the mix.

By night’s end, it was hard to want more from The Get Up Kids (except maybe the Suptic-sung “Campfire Kansas”, one of their strongest songs). Held together by the Pope brothers rhythm section–bassist Rob and drummer Ryan–the band was incredibly tight and extremely energetic for more than hour. The band plans to record in 2010; if the night’s performance is any indication, the upcoming songs should sound phenomenal.

All photographs by the extremely talented Kenami.

inTuneMusic is very interested in any submissions/corrections from this event including photographs, setlists, and audio/video. Please contact us, you will receive complete credit for any submission.


Brand New / Kevin Devine @ Ewing 1/23

March 12, 2009

On a cold Friday night, an hour before doors, a line wrapped throughout The College of New Jersey to the front of Kendall Hall. Likely the college’s biggest draw in recent times (if not of all time), the seated Kendall Hall would not fit most of the students in line and instead only the lucky few hundred would make it inside.

Kevin Devine and his God Damned Band started the evening with 2003′s “You’re My Incentive”. Intent on showcasing material from his forthcoming full-length which is more “rock” or “band”-focused than previous efforts, Kevin did slip in some drug-influenced staples from Put Your Ghost to Rest like “Buried for the Buzz” and “Just Stay”. The full setlist:

You’re My Incentive
Carnival
Another Bag Of Bones
I Could Be With Anyone
You’re Trailing Yourself
Buried By the Buzz
Just Stay
My Brothers Blood

Brand New took the TCNJ stage after a half-hour of setup, encouraging fans to stand up and make the show seem a little more “rock-show” oriented. Starting with the simplistic (but charming) “Mix Tape”, the band showcased a side they seemed all to hesitant to show during recent tours: a heavy dose of old punk-pop favorites amidst a set that emitted positive energy (noticeably absent were melancholic cuts such as “Limousine”, “Me vs Marodonna vs Elvis”, “Handcuffs”, and “Coca-Cola” from recent shows). The full set:

Mix Tape
The Shower Scene
The Quiet Things That No One Ever Knows
Sowing Season
Archers
Millstone
Jaws Theme Swimming
Sic Transit Gloria…Glory Fades
Luca
Degausser
You Won’t Know
Jude Law and a Semester Abroad
Seventy Times 7
Jesus
Welcome to Bangkok
Play Crack the Sky

For the first time in years, frontman Jesse Lacey didn’t appear miserable; he joked with the crowd from time to time, enjoying a laugh about the crowd’s delight over “Jude Law” and “Seventy Times 7″, played back-to-back. His voice was on-point, perhaps sounding as good as I’ve ever heard him.

“Sowing Season” introduced the college audience to the new Brand New; the first three songs were singalongs straight from the crowd’s teenage years, but the first song from The Devil and God are Raging Inside Me found the crowd quiet, unsure of what to expect next.

Of course it wouldn’t be a Brand New show without the selected use of two drummers; songs such as “Millstone” are really enhanced by the technique. The band seemed more discerning regarding their newfound love for jamming/improv by letting it slip into just a few songs–culminating with the final “Welcome to Bangkok” session–and it worked in their favor, keeping their songs focused and potent.

“Sic Transit Gloria” is a difficult song for the band (locking the bass parts together seems to be the issue), but the song sounded as good as I’ve heard it live. “You Won’t Know” received fairly standard treatment, and “Jesus” sounded good as well. The band’s final song featured Kevin Devine on “Play Crack the Sky”.

The show was certainly one of the best performances by Brand New, a band that is very hit-or-miss live. With a quarter of their setlist coming from their debut album, it was a nice treat to hear some older songs that don’t get played too often. Kevin Devine and the Goddamned Band sounded great as well, making the evening a very enjoyable event.


Kevin Devine / Dead Confederate / All Get Out @ Hoboken 12/10

January 5, 2009

Kevin Devine is a great songwriter and a great live performer, but his shows often consist of less-than desirable setlists. Despite this, I decided to head to Hoboken and catch this stop of the Manchester Orchestra headlining tour. Unfortunately, the show ran too late for me to stay for Manchester Orchestra, a really good band that I was disappointed to miss.

South Carolina’s All Get Out started the evening in front of about fifteen kids, none of whom appeared to have any idea who the quartet was or what to expect. The band has a knack for writing interesting material, but the final product is extremely rough around the edges. A few of the songs were remarkably impressive, but I unfortunately didn’t catch any song names. With the right producer and a more focused effort, this band could release a great album. They show no lack of emotion live and played pretty well for a band that I believe is on their first tour out of the south.

Dead Confederate, hailing from Georgia, followed. A five-piece that blends southern rock into Nirvana and Sonic Youth (the latter of which they covered this evening for the penultimate song in their set), the band spent much of their time jamming in the middle of their songs–or so it seemed, I’m not familiar with the band on disc. A recent trend in bands that find themselves on tours with bands like Brand New, Kevin Devine, and Manchester Orchestra, these “jams” are rarely as interesting as they are self-indulgent. Dead Confederate is another band suffering from this; their songs are technically sound and enjoyable until the band trails off into excessive feedback and uninteresting improvisation. Still, it’s hard not to wonder what is possible with a little focus in their songwriting; they are certainly capable musicians.

At about 9:15 Kevin Devine and the Godamned Band took the stage, opening with “Carnival”. With a full band behind him, Kevin’s sound is certainly more dynamic than when he is solo, but I’m not sure it’s better. His backing section is certainly fun and talented; on “I Could Be with Anyone” (from the new tour EP of the same name) keyboardist Brian Bonz beatboxed the opening rhythm in a humorous yet surprisingly flawless manner.

“No Time Flat” was updated to reflect more recent political events, while “Cotton Crush” featured–of course–a jam on the outro. With the holiday season in effect, “Splitting Up Christmas” (a personal favorite) would have been a poignant addition to the setlist, but that unfortunately didn’t materialize. “Another Bag of Bones” reads like a cross between REM (think “It’s the End of the World as We Know It (And I Feel Fine)”) and Bob Dylan and comes off excellent live.

Kevin’s setlist normally struggles, and this evening was no exception. Two mediocre older cuts (“Longer That I’m Out Here”, “Me and My Friends”) and four songs not on any full-length comprised of two-thirds of the nine-song set:

Carnival
Another Bag of Bones
I Could Be with Anyone
No Time Flat
Me and My Friends
Longer That I’m Out Here
Just Stay
Cotton Crush
My Brother’s Blood

Though I had to leave before Manchester Orchestra performed, I heard later that they played a set consisting of mostly new material from their upcoming full-length with a few cuts from their debut LP tossed in. This tour wasn’t the first, nor do I suspect it to be the last, involving both Kevin Devine and Manchester Orchestra on the same bill, so I’m sure I’ll get another chance to catch the Mississippi act soon, as both artists have albums due out in early 2009.


Matt Pryor / Kevin Devine / Jonah Matranga @ Asbury Park 9/4

September 11, 2008

Despite billing former The Get Up Kids frontman Matt Pryor as the headliner, New York City’s Kevin Devine appeared to be the main draw on a warm Thursday night at the Jersey shore. Unlike my trip to the Asbury Park Convention Hall three weeks ago, there were no long lines and no parents accompanying pre-teen girls. Instead, only about two hundred devoted fans came to see three excellent acoustic performers at the eight hundred-person capacity Stone Pony.

Jonah Matranga

Even after cutting his pointer finger in the kitchen, Jonah Matranga took the stage--bandaged up.

With a recent injury to his right pointer figure, thirty-nine year old veteran Jonah Matranga (onelinedrawing, Far, New End Original, Gratitude) was unable to perform his typical set: heavily finger-picked songs, such as my request for “Mother Mary”, were dropped. Instead, he played primarily with a pick and used his other fingers pick out basslines. Despite the injury and the improvised setlist, however, Jonah managed to sound incredible, even covering Sinéad O’Connor in the process. I spoke with him later; upon informing him that I had not seen him since Gratitude; he apologized for the lack of songs from that eponymous album. Pouring the last seven dollars out of my pocket onto the merch table, he even sold me one of his awesome shirts for well below normal price of $15 saying “thanks so much, it’s not about the money”. Jonah is performing September 14 at Maxwell’s in Hoboken; if you’re in the New Jersey area I’d highly recommend checking him out; he even promised to play “Mother Mary”.

Kevin Devine

Kevin Devine sweating on, and inspecting, Matt Pryor's Takamine.

Kevin Devine performed next, opening with “Hand of God”. He tossed in the new (and excellent) “Another Bag of Bones” and Sinéad O’Connor’s “Black Boys on Mopeds”. Disappointingly, he skipped out on a few of my favorites, but he did throw in essentials “Yr Damned Ol’ Dad”, “Refugees”, “You’ll Only End Up Joining Them”, and “Brooklyn Boy” (with the “The Fresh Prince of Bel-Air” intro). Midway through the set he experienced problems with the pickups on his trusty Gibson and had to borrow Matt Pryor’s Takamine. Even with technical difficulties, Kevin played well but unfortunately didn’t play enough songs. Kevin will be returning September 20 to Asbury Park to play at the extremely tiny Wonderbar.

Kansas native Matt Pryor played for about an hour, throwing in a chunk of The Get Up Kids songs despite being on tour to promote his newest solo record, Confidence Man. Songs like “Never Treat Others” and “Michelle With One ‘L’” received solid solo treatment, while songs like “Campfire Kansas” were omitted as Pryor repeatedly explain to the crowd that other Get Up Kids vocalist Jim Suptic sang those songs. Pryor jokingly told the crowd to “request Matt Pryor songs” at Black Pool Lights (Suptic’s new band) shows. The talk of covers did spark a Reggie and the Full Effect cover before Pryor jumped into “When I Get To Eleven” from If You Ever See An Owl, the debut album by The Terrible Twos. A few more solo songs and some Get Up Kids cuts rounded out a great setlist that I only wish had featured the notably absent “Out of Reach” from Something to Write Home About.

Matt Pryor

Matt Pryor working out a Get Up Kids song acoustically.

Despite the near-empty Stone Pony, each of the three performers played well and put on a great show; the Sinéad O’Connor cover battle hopefully introduced a new generation to the Irish singer-songwriter’s works. Amidst rumors of The Get Up Kids reuniting for a spring tour, it was great to see Matt Pryor still in great form. Even material from Confidence Man was warmly received, despite the crowd knowing few of the songs. It would be hard to find three better solo artists on one bill in 2008.


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