Bayside @ Eatontown 6/26/2010

June 26, 2010

As part of the Zumiez Couch Tour, Bayside performed a free hour-long set at the Monmouth Mall parking lot in Eatontown, New Jersey. In front of a motley crew of faux mall-punks stopping by to catch a free show and rabid Bayside fans alike, the Queens quartet played exceptionally well and likely won over many new fans while also appeasing those who already support the band.

Bayside

Bayside

Bayside opened with the brief “Hello Shitty”, the first song from their 2005 self-titled album. Without wasting a second, the dark guitars of Jack O’Shea and frontman Anthony Raneri set the mood for the bleak “Tortures of the Damned”. The equally ominous “They’re Not Horses, They’re Unicorns” followed, with Raneri continuing to paint tortured images of his life and various relationships. “No One Understands” continued the band’s grim outlook, but midway through the song Raneri offered hope: “If the sun don’t shine tomorrow, we’ll survive”.

Bayside

Bayside

“The Ghost of Saint Valentine”, one of the band’s standout songs from their excellent 2008 effort, Shudder, sounded great. The explosive title track from The Walking Wounded, anchored by Chris Guglielmo’s heavy percussion, found the entire crowd singing along to the song’s infectious chorus. Much of Bayside’s appeal is derived from the band’s enormous choruses, and fewer songs showcase that aspect more strongly than the tightly executed “I and I” which promptly followed “The Walking Wounded”.

Bayside

Bayside

Newer favorite “Boy” and longtime favorite “Masterpiece” were terrific, but more than thirty minutes into the setlist the band’s performance was becoming extremely predictable. Bayside offered no surprises throughout their fifteen song set, sticking to the same basic setlist they established in 2008. Of the band’s thirteen songs from Shudder, just four of them received live treatment; while the band certainly picks the best songs from their older material, it would be a nice change of pace to see some of the band’s top-notch new material in a live environment.

Bayside

Bayside

“Montauk” was one of the sets highlights, featuring a blistering solo by O’Shea. The band wrapped up their hour-long performance with “Devotion and Desire” as they have for much of their career; the song’s signature opening lick launched the audience into a frenzy, drawing in onlookers who had previously remained at a distance from the crowd.

Hello Shitty
Tortures of the Damned
They’re Not Horses, They’re Unicorns
No One Understands
The Ghost of Saint Valentine
The Walking Wounded
I and I
Boy
Masterpiece
Carry On
Roshambo (Rock, Paper, Scissors)
Duality
Montauk
Blame it on Bad Luck
Devotion and Desire

Bayside

Bayside

Despite predictable song selection, Bayside’s performance was near-perfect during their sixty-minute set; the band put an enormous effort into each song, and Raneri pushed his voice to its limits. The band is recording a new album this fall. Judging by the merits of the band’s already-outstanding discography, the new effort is highly anticipated. Still, the band has so much material from Shudder that still hasn’t been performed live. It would be nice to see the band touch on some of their existing songs before unleashing a brand new batch.


Anthony Raneri / Kevin Devine / Vinnie Caruana / JT Woodruff / Shane Henderson @ Farmingdale 1/21/10

January 21, 2010

Assembling the chief songwriters of Bayside, I am the Avalanche, Hawthorne Heights, and Valencia, and tossing in Kevin Devine,  Long Island’s Crazy Donkey hosted an evening of acoustic performances by five talented musicians. Each artist approached their set in a completely different manner, making for an unpredictable and exciting evening.

The night’s first performance was by Valencia frontman Shane Henderson, though I unfortunately managed to catch just two songs. Henderson’s penultimate song was “Away We Go”, a song recorded by Valencia for their debut album, This Could Be a Possibility, but originally appearing on Promise of Redemption’s Lights That Flicker Will Surely Fade – Henderson’s debut solo album. “From the Second I Wake Up…”, a song from Promise of Redemption’s second album, closed the set.

JT Woodruff performed next, playing a seven-song set that included six originals and one Face to Face cover, chosen for its significance in introducing the Hawthorne Heights songwriter to punk rock. Wisely opting not to perform any of his band’s songs (even denying a request for the awful “Ohio is for Lovers”), Woodruff’s performance was somewhat enjoyable yet clearly the weakest link in an otherwise outstanding night. The set began with a song about his hometown, followed by a quick number about his daughter Avery. The set’s highlight was clearly “Friends in the Sky”, a heartfelt tribute to lost friends including former bandmate Casey Calvert, Bayside’s John “Beatz” Holohan, and recently deceased Avenged Sevenfold drummer “The Rev”. Woodruff closed his set on a less-heavy note, however, with “Least Favorite Things 2009″, a jab at the current neon culture and even Lady Gaga. The set:

(New song)
Avery
Disconnected (Face to Face cover)
(New song)
(New song)
Friends in the Sky
Least Favorite Things 2009

Vinnie Caruana

Vinnie Caruana

Vinnie Caruana began his set with a solid new song, moving quickly into staple “Hey” from The Movielife’s Forty Hour Train Back to Penn. “Drinking Song” and “Green Eyes”, from Caruana’s current project, I am the Avalanche, sounded great. A few more favorites from The Movielife and some rants about New York sports–specifically regarding the success of the New York Jets and the disappointments of the New York Mets–preceded “Brooklyn Dodgers”, a new I Am the Avalanche song dedicated to his mother and father in attendance. The extremely personal “I Took a Beating” closed out a solid set from the Long Island native. The full set:

(New song)
Hey (The Movielife)
Drinking Song (I am the Avalanche)
Green Eyes (I am the Avalanche)
Sailor Tattoos (The Movielife)
Walking on Glass (The Movielife)
Brooklyn Dodgers (I am the Avalanche)
I Took a Beating (I am the Avalanche)

Kevin Devine

Kevin Devine

Brooklyn boy Kevin Devine played fourth, beginning with “Brother’s Blood” from his 2009 album of the same name. Despite being stripped down to its acoustic roots, the song benefited greatly from Devine’s unfeigned and fiery delivery. “Noose Dressed Like a Necklace”, from 2003′s Make the Clocks Move, was a welcomed addition to the setlist; “Keep Ringing Your Bell” was as personal and sincere as any song all evening. Unafraid to show his political and religious convictions, “Another Bag of Bones” injected biting cynicism into the set. A promising, brand new song preceded “Cotton Crush”; “Ballgame” found Devine once again tackling politics, this time in context to his own life decisions. The final song of Devine’s excellent nine-song selection was “Yr Damned Ol’ Dad”, performed significantly slower and softer than normal. The full list:

Brother’s Blood
Noose Dressed Like a Necklace
Keep Ringing Your Bell
Another Bag of Bones
Carnival
(New song)
Cotton Crush
Ballgame
Yr Damned Ol’ Dad

Headliner Anthony Raneri began his thirteen-song setlist with a solid cover of Matt Skiba’s “Good Fucking Bye”, receiving a fairly warm response. The crowd really cheered, however, as Raneri started to play the opening notes of the extremely emotional “Don’t Call Me Peanut”. A strong cover of Bad Religion’s “Sorrow” preceded “Landing Feet First”, a song Raneri called the “first and last love song” he has ever written.

Anthony Raneri

Anthony Raneri

After briefly explaining that using a capo on his guitar was new territory for the experienced frontman, Raneri performed “The Ghost of St. Valentine” from Bayside’s Shudder and Tim McGraw’s “Just to See You Smile”. Talking over the intro riff of “Duality”, Raneri commented that this song finally allowed him to have his “rockstar moment” — that is, a song with an introduction that can be extended indefinitely while the band addresses the crowd over the riff.

A sloppy Counting Crows cover followed, but Raneri rebounded with a compelling performance of “The Ballad of Bill the Saint”, a song destined one day for an Anthony Raneri solo album. Acknowledging that he has too much respect for the instrument to call himself a “true guitarist”, Raneri condeded that he probably butchers “I’ll Follow You into the Dark” but loves the song and plays it anyway. Oft covered by Bayside, Smoking Popes’s “Megan” finished the set. The full list:

Good Fucking Bye (Matt Skiba cover)
Don’t Call Me Peanut (Bayside)
Sorrow (Bad Religion cover)
Landing Feet First (Bayside)
The Ghost of St. Valentine (Bayside)
Just to See You Smile (Tim McGraw cover)
Duality (Bayside)
Blame it on Bad Luck (Bayside)
A Long December (Counting Crows cover)
I and I (Bayside)
The Ballad of Bill the Saint
I’ll Follow You into the Dark (Death Cab for Cutie cover)
Megan (Smoking Popes cover)

With each artist taking a unique approach to his set (originals, covers, and parodies), the night moved along at a rapid pace; downtime between artists was brief — it was, after all, just a microphone and a guitar that needed setup. With the longest set time and biggest fanbase in attendance, Anthony Raneri clearly stole the show. Still, Kevin Devine’s performance was the most seasoned, making it clear that as a solo artist he is by far the most talented of the batch.


The Bouncing Souls / Bayside / P.O.S. / Static Radio NJ @ Asbury Park 12/28

December 28, 2009

Across four sold out nights at Asbury Park’s Stone Pony, The Bouncing Souls combined their twentieth anniversary celebration with their third annual “Home for the Holidays” shows. Night three of four featured support from tourmates Bayside as well as Minnesota rapper P.O.S. and labelmates Static Radio NJ. For such a celebration, the band took handpicked setlists; Monday night’s setlist was chosen by Lisa Demodna.

Static Radio NJ kicked off the evening with their blend of Jersey punk. The three-piece, rounded out with a fourth rhythm guitarist, Dave, who learned a few songs for the night’s set, played strong for about twenty minutes. Drawing from their debut full-length, An Evening of Bad Decisions, Static Radio NJ’s sound can be likened to that of Lifetime and The Loved Ones.

Stefon Alexander, better known as P.O.S., followed with an exciting style of raw hip-hop. Far removed from the mainstream constraints of the genre, P.O.S. spent about thirty minutes tearing through cuts from 2009′s Never Better. Involving the crowd with a plethora of singalongs, the Minneapolis-born rapper connected with the punk-rock crowd and readied the audience for Bayside and The Bouncing Souls.

Directly supporting The Bouncing Souls, Bayside opened with 2005′s “Tortures of the Damned”. The Walking Wounded‘s title track followed, with the crowd exploding during its infectious chorus and Jack O’Shea’s monster solo. The lone Shudder track, “No One Understands”, was one of the night’s highlights, and it’s unfortunate that the band strays away from that excellent 2008 album.

Frontman Anthony Raneri engaged the crowd for most of the set, with giant singalong choruses on songs like “Carry On”. “Masterpiece” lead to fierce pits and dancing before pre-show request, Smoking Popes cover “Megan”, slowed things down. “Montauk” and obligatory closer “Devotion and Desire” rounded out a strong eleven-song setlist:

Tortures of the Damned
The Walking Wounded
No One Understands
Duality
Blame it on Bad Luck
They’re Not Horses, They’re Unicorns
Carry On
Masterpiece
Megan (Smoking Popes cover)
Montauk
Devotion and Desire

Following chants of “Here We Go”, The Bouncing Souls exploded on stage and tore through the Maniacal Laughter cut. The brand new “Never Say Die/When You’re Young” followed, with a string of classics including Hopeless Romantic‘s “Kid” and also its title track. The Avoid One Thing cover, “Lean On Sheena”, was a full-crowd singalong. Greg Attonito was cool and collected throughout the set, moving through old songs (such as 1994′s “The Guest”), new songs (“Ghosts on the Boardwalk”), and covers (Sick of it All’s “Good Looking Out”) with confidence and precision. The full setlist (thanks to John Fox for this information):

Here We Go
Never Say Die/When You’re Young
Kid
K8 Is Great
That Song
Hopeless Romantic
Quick Check Girl
Lean On Sheena (Avoid One Thing cover)
The Ballad Of Johnny X
Cracked
Say Anything
No Comply
Highway Kings
The Gold Song
Kids and Heroes
Ghosts On The Boardwalk
Neurotic
Punks In Vegas
Good Looking Out (Sick of it All cover)
Manthem
True Believers
Gone
Moon Over Asbury
The Guest
Sing Along Forever
The Freaks, Nerds, and Romantics

The four song encore (beginning with the instrumental “Moon Over Asbury”) ended with fan-favorite “The Freaks, Nerds, and Romantics”, and the entire crowd could not have been more pleased with The Bouncing Souls’s performance. Maniacal Laughter saw the most songs–five–but the band did a great job of reaching across their entire discography. The Bouncing Souls are set to release Ghosts on the Boardwalk in mid-January, a collection of songs issued over the last year on a series of quarterly EPs. Be sure to pick it up on Chunksaah Records, as the cuts from that album were just as strong live as the old favorites.

inTuneMusic is very interested in any submissions/corrections from this event including photographs, setlists, and audio/video. Please contact us, you will receive complete credit for any submission.


Bayside / Envy on the Coast / I Am the Avalanche / Bridge and Tunnel @ NYC 10/1

October 1, 2009

A special homecoming show to celebrate the band’s return to New York after a few lengthy 2009 tours, Bayside and their friends in other New York bands performed at Irving Plaza on a cool Thursday night in the East Village.

Hailing from Huntington Station, New York, Bridge and Tunnel opened the evening. With a solid foundation in Latterman drummer Pat Schramm, the band executes fairly well on stage, with alternating vocals from guitarist Jeff Cunningham and bassist Tia Meilinger. The four-piece, rounded out by guitarist Rachel Rubino, plays in the style of Hot Water Music and Small Brown Bike, yet offers a New York approach to the music. A brief but strong performance encouraged me to check out their debut, East/West, on No Idea Records.

I Am the Avalanche frontman Vinnie Caruana

I Am the Avalanche frontman Vinnie Caruana

One has to wonder how long I Am the Avalanche will tour on their sole full-length, their 2005 debut on Drive-Thru Records. Masterminded by The Movielife’s Vinnie Caruana, the quintet plays a unique blend of punk, but has been playing the same songs for quite some time now. A few new songs helped spice the set up, though, including “Holy Fuck”–a jam that sounds right at home in Caruana collection. Another new song, “Brooklyn Dodgers”, was a playful addition to the set. I Am the Avalanche received a warm welcome from their hometown crowd, and the band sounded on-point, with great performances of old favorites  “Dead and Gone”, “New Disaster”, “I Took a Beating”, “Green Eyes”, and “This is Dungeon Music”.

Envy on the Coast vocalist Ryan Hunter

Envy on the Coast vocalist Ryan Hunter

Envy on the Coast provided Bayside’s direct support, opening with an exciting cover of “House of the Rising Sun”. Vocalist Ryan Hunter provided an unique take on The Animals classic, retooling Eric Burdon’s vocal style to fit his own jagged falsetto delivery. Lead by the dual assault of guitarists Sal Bossio and Brian Byrne, a solid performance of “Sugar Skulls” followed, with the band tossing in some new material (“The Devil’s Tongue”) in addition to a partial cover of Jay-Z’s “Empire State of Mind”.

Jeremy Velardi’s luscious basslines kept things interesting on older tracks like “Temper Temper”, and interim drummer Joe Zizzo (of The Sleeping) is no slouch on the skins, adequately filling the role while the band works on finding a permanent replacement for Dan Gluszak. The rousing “The Gift of Paralysis”, from the band’s debut and only full-length, Lucy Gray, closed the Long Island six-piece’s set to a roar of applause. The full set:

House of the Rising Sun (The Animals cover)
Sugar Skulls
Vultures
The Devil’s Tongue
Artist and Repertoire
Temper Temper
Empire State of Mind (Jay-Z cover)
The Gift of Paralysis

Bayside bassist Nick Ghanbarian

Bayside bassist Nick Ghanbarian

Beginning with “Tortures of the Damned”, Bayside came out firing. “I’ve made mistakes, but I’ll find my way; there’s no explanation for the things I’ve failed at before,” laments guitarist and frontman Anthony Raneri during the song’s explosive chorus. The similarly loathing “The Walking Wounded” followed, with Raneri’s opening lines: “I’m weak like a one-armed boxer, throwing punch after punch after punch. I give in, I’m so dumb, I’m surprised when they duck”.

Indeed, Bayside’s appeal derives from their dark and contemplative lyricism. The aptly titled “No One Understands” digs even deeper into Raneri’s pain: “My mom always said I was named for a saint, but I never felt I was blessed”; “Blame it On Bad Luck” isn’t any brighter.

Bayside frontman Anthony Raneri

Bayside frontman Anthony Raneri

Bassist Nick Ghanbarian and guitarist Jack O’Shea exploded on the Shudder‘s “Boy” and “Roshambo (Rock, Paper, Scissors)”. The lone Sirens and Condolences cut, “Masterpiece”, was rowdy and kept the crowd moving following a solid performance of 2005′s “Carry On”. “Existing In A Crisis (Evelyn)” preceded a staple cover of  The Smoking Pope’s “Megan”, which found the everyone in attendance singing along to its beautiful chorus. “The Ghost of St. Valentine”, just the fourth (and unfortunately final) song from Shudder, was excellent and is easily one of the band’s best songs. An excellent performance of the invigorating “Montauk” closed the band’s scheduled set, leaving the audience to shout for more.

“Don’t Call Me Peanut” started the encore slowly, but with queues from drummer Chris Guglielmo it got loud in a hurry. “I and I” found the crowd with arms around each others shoulders singing along, a necessary moment of unity before the one-two knockout punch of “Hello Shitty” and “Devotion and Desire” tore the audience into pieces. The full set:

Bayside's setlist

Bayside's setlist

Tortures of the Damned
The Walking Wounded
No One Understands
Blame it on Bad Luck
They’re Not Unicorns, They’re Horses
Boy
Roshambo (Rock, Paper, Scissors)
Carry On
Masterpiece
Existing in a Crisis (Evelyn)
Megan (The Smoking Popes cover)
Landing Feet First
The Ghost of St. Valentine
Duality
Montauk
Don’t Call Me Peanut
I and I
Hello Shitty
Devotion and Desire

With more than one-third of the set favoring their 2005 self-titled effort across an eighty minute performance that touched on each of the band’s releases (including six songs from the The Walking Wounded), Bayside was explosive, passionate, and fairly unpredictable–even if the band did choose the completely standard “Devotion and Desire” as the night’s final song. A potent combination of well-written tortures on top of lick after lick of racing riffs, the band’s performance might have been the best of their near-decade long career. Bayside’s homecoming ended with a bang, and the band hits the road just a week later with a plethora of great acts including the legendary The Bouncing Souls.

Photos courtsey of Ali Szubiak and Devyn Manibo

inTuneMusic is very interested in any submissions/corrections from this event including photographs, setlists, and audio/video. Please contact us, you will receive complete credit for any submission.


Anthony Raneri / Vinny Caruana / Destry @ Hoboken 6/18

July 28, 2009

Maxwell’s in Hoboken, NJ, is one of my favorite venues in the area. Host to many great shows over the years, the venue is best known for its intimate atmosphere–the musicians and performers have to walk through the crowd to get to the stage. Drinks flow easily from the bars, and there are no bouncers or rails to guard the stage.

Destry

Destry

Formed in the wake of Michelle DaRosa’s departure from Straylight Run, Destry–playing a blend of folk and rock–opened the evening. After collaborating with (and being overshadowed by) her brother John Nolan for years, DaRosa finally got the chance to show her own abilities. Joined by hometown friends from Cassino and Straylight Run (drummer Nico Childrey, guitarist Tyler Odom, and bassist Shaun Cooper), the band’s first show was incredibly promising. Destry mixed a few covers into their brief set (Sam Cooke’s “Chain Gang” and The Everly Brothers’s “All I Have to Do is Dream”), dually showcasing their influences and tight harmonies.

Vinny Caruana

Vinny Caruana

Vinnie Caruana played next. Mixing up covers of both his bands (I Am the Avalanche and the now-defunct The Movielife), Caruana sounded like a wounded punk veteran of the scene. At only thirty, he came off much older–wiser, even. The crowd sang along to some of his back catalog’s staples, such as Forty Hour Train Back To Penn‘s “Hey”.  “I Took a Beating” took on its original acoustic form (found on a split with The Early November), and a number of other songs from I Am the Avalanche’s eponymous debut received solid treatment.

Bayside’s Anthony Raneri headlined the evening with just his acoustic guitar. Raneri sounded great, performing a nice mix of Bayside material and covers, in addition to a brand new song (“The Ballad of Bill The Saint”) to appear on his upcoming solo album. Shudder‘s “The Ghost of St. Valentine” was a nice surprise and the only Bayside song of the evening to not have received prior acoustic treatment on CD. The full setlist, to the best of my recollection:

Anthony Raneri

Anthony Raneri

Good Fucking Bye (Alkaline Trio cover)
Don’t Call Me Peanut
Sorrow (Bad Religion cover)
Landing Feet First
Blame It on Bad Luck
The Ghost of St. Valentine
The Ballad of Bill The Saint
They Looked Like Strong Hands
Duality
Boxcar (Jawbreaker cover)
I and I
I Will Follow You Into the Dark (Death Cab For Cutie cover)
Megan (The Smoking Popes cover)

“Landing Feet First” was dedicated to his wife (in attendance). “Boxcar” was a nice surprise for the few audience members old enough to remember Jawbreaker, while “I Will Follow You Into the Dark” should probably stay with Ben Gibbard. During “Duality”, Raneri joked that Bayside finally became a “legit” band due to the song–more specifically, the song’s intro riff on guitar that allows him to address the crowd before songs like “all the other legit bands”.

The evening was brief but quite enjoyable, and it’s always nice to hear some old The Movielife songs whenever possible. Destry was a nice surprise: the band has serious talent and potential, so don’t let them slip by your radar. Anthony Raneri was excellent, proving that even as stripped down acoustic numbers, Bayside has some incredibly well-written songs.

Photos by Devyn Manibo.