Dustin Kensrue / Chris Conley / Matt Pryor / Anthony Raneri @ NYC 12/12/2010

December 12, 2010

Highline Ballroom hosted New York City’s second night of the “Where’s the Band?” tour featuring Thrice’s Dustin Kensrue, Saves the Day’s Chris Conley, The Get Up Kids’s Matt Pryor, and Bayside’s Anthony Raneri. Though the evening played out very similar to the night before in Brooklyn at the Music Hall of Williamsburg, some set changes and the overall quality of performances made attending both nights well worth it.

Anthony Raneri

Anthony Raneri

Anthony Raneri performed for about thirty minutes, sticking to the same setlist as the night before with the addition of The Walking Wounded‘s “I and I”. The Bayside frontman’s stripped-down take on Bad Religion (“Sorrow”) works incredibly well, reducing the original tempo but still capturing the song’s heart and feel. “Landing Feet First” — a song written for his now ex-wife — displayed Raneri’s songwriting prowess, highlighting what Bayside sounds like before they add on the blistering leads and pounding rhythm section.

Don’t Call Me Peanut (Bayside cover)
Sorrow (Bad Religion cover)
Blame it on Bad Luck (Bayside cover)
You Vandal (Saves the Day cover)
Landing Feet First (Bayside cover)
I and I (Bayside cover)
Meghan (Smoking Popes cover)

Matt Pryor

Matt Pryor

Matt Pryor completely switched up his setlist from the night before, tossing out his solo material and The New Amsterdams covers in favor of a set heavy on The Get Up Kids songs including “I’m a Loner Dottie, a Rebel”, which may have been the first time he’s attempted that song acoustic. Pryor still touched on Bayside and Saves the Day with “The Ghost of St. Valentine” and “Freakish, respectively; the latter again featured part of Cee-Lo Green’s “Fuck You”. Paying tribute to his The Get Up Kids bandmate James Dewees, Pryor even covered Reggie and the Full Effect. Four Minute Mile‘s “Don’t Hate Me” wrapped up the great ten-song performance.

Holiday (The Get Up Kids cover)
Overdue (The Get Up Kids cover)
I’m a Loner Dottie, a Rebel (The Get Up Kids cover)
The Ghost Of St. Valentine (Bayside cover)
Walking on a Wire (The Get Up Kids cover)
Mass. Pike (The Get Up Kids cover)
Freakish (Save The Day cover)
Action and Action (The Get Up Kids cover)
Girl, Why’d You Run Away (Reggie and the Full Effect cover)
Don’t Hate Me (The Get Up Kids cover)

Chris Conley

Chris Conley

Putting on antlers tossed to him by a fan, Chris Conley and Pryor performedRudolph the Red Nosed Reindeer” together before Conley began his set of Saves the Day covers. A few setlist swaps aside, Conley performed many of the same songs from the night before. The decade-old I’m Sorry I’m Leaving EP contributed one-third of the set, leaving out only “I Melt With You”. As it did at Music Hall of Williamsburg, 1998′s “Jodie” concluded a great set from the extremely talented Conley.

Rudolph the Red Nosed Reindeer
Three Miles Down (Saves the Day cover)
Take Our Cars Now! (Saves the Day cover)
I’m Sorry I’m Leaving (Saves the Day cover)
Jesse and My Whetstone (Saves the Day cover)
My Sweet Fracture (Saves the Day cover)
Let It All Go (Saves the Day cover)
The Way His Collar Falls (Saves the Day cover)
Rocks Tonic Juice Magic (Saves the Day cover)
Confidence Man (Matt Pryor cover)
Sell My Old Clothes, I’m Off To Heaven (Saves the Day cover)
When It Isn’t Like It Should Be (Saves the Day cover)
What Went Wrong (Saves the Day cover)
This Is Not An Exit (Saves the Day cover)
Hold (Saves the Day cover)
Jodie (Saves the Day cover)

Dustin Kensrue

Dustin Kensrue

Dustin Kensrue began with “I Knew You Before”, playing many of the same songs from the night before. ” Hark! The Herald Angels Sing” was a nice Christmas addition to the setlist, though, as was a cover of “Fairytale of New York”, a song about “Christmas Even in the drunk tank”. Kensrue’s solid acoustic take on “Wood & Wire” might have been the song’s first live performance, the Beggars cut always omitted when Kensrue has played with Thrice in the tri-state area.

A pleased Kevin Devine sat in back of the stage while Kensrue covered “Mesa, AZ”, a song from Bad Books, Devine’s collaboration with Manchester Orchestra frontman Any Hull. The German Christmas carol “Silent Night” sounded great, coming before Pryor joined Kensrue to cover “Oh My Sweet Carolina”. As they did on Saturday night in Brooklyn, Kensrue, Conley, Pryor, and Raneri all joined together to cover NOFX and Jawbreaker. “Christmas (Baby, Please Come Home)” concluded the tour’s last night.

I Knew You Before
Consider the Ravens
Hark! The Herald Angels Sing
This is War
Pistol
Go Tell it on the Mountain
Wood & Wire (Thrice cover)
Mesa, Arizona (Bad Books cover)
Please Come Home
Stare at the Sun (Thrice cover)
Blood and Wine
Fairytale of New York (The Pogues cover)
The Artist in the Ambulance (Thrice cover)
Down There by the Train (Tom Waits cover)
Silent Night
Oh My Sweet Carolina (Ryan Adams cover)
Linoleum (NOFX cover)
Boxcar (Jawbreaker cover)
Christmas (Baby, Please Come Home) (Darlene Lover cover)
Dustin Kensrue, Matt Pryor, Anthony Raneri, and Chris Conley

Dustin Kensrue, Matt Pryor, Anthony Raneri, and Chris Conley

Mixing up the setlists just enough from night to night, the four prolific songwriters made attending both nights of the tour a very worthwhile experience. A plethora of old and rarely performed songs added to the nights’ charm, while the lightly-sprinkled Christmas covers fit well with the December anticipation of the holiday. With each performer so dedicated to their full-time band, finding an opportunity to tour by themselves is quite rare. If this tour should reassemble at any point in the future, don’t miss the chance to catch this remarkable collections of songwriters.


Dustin Kensrue / Chris Conley / Matt Pryor / Anthony Raneri @ NYC 12/11/2010

December 11, 2010

Featuring the principle songwriters of Thrice, Saves the Day, The Get Up Kids, and Bayside, the “Where’s the Band?” tour arrived in Brooklyn at the Music Hall of Williamsburg two weeks before Christmas, the first of two New York City dates featuring the four prolific songwriters. The tour’s premise was simple but quite attractive with Dustin Kensrue, Chris Conley, Matt Pryor, and Anthony Raneri performing acoustic sets of their own material as well as some covers and some holiday-themed favorites.

Anthony Raneri

Anthony Raneri

Anthony Raneri performed first, beginning the evening with a cover of Matt Skiba’s “Good Fucking Bye”, one of his staples when performing solo. Raneri showcased his own songwriting talents, as well, with normally-electric Bayside songs like “Landing Feet First” and “Blame it on Bad Luck” sounding great stripped down. Save the Day’s “You Vandal” was a pleasant surprise; “Meghan”, often covered by Raneri with his full band, concluded the enjoyable seven-song set.

Good Fucking Bye (Matt Skiba cover)
Don’t Call Me Peanut (Bayside cover)
Sorrow (Bad Religion cover)
Landing Feet First (Bayside cover)
Blame it on Bad Luck (Bayside cover)
You Vandal (Saves the Day cover)
Meghan (Smoking Popes cover)

Matt Pryor

Matt Pryor

Matt Pryor performed a varied set, drawing from his own solo record, The Get Up Kids, The New Amsterdams, and other songwriters on the tour. Pryor sounded best when taking on the songs he wrote for Confidence Man or with his aforementioned bands; “The Ghost of St. Valentine” was awkward and unemotional, in complete contrast to Bayside’s original. He did better with Saves the Day’s “Freakish” — mixed with parts of “Lorelei” and Cee-Lo Green’s “Fuck You” — but “A Totally New Year” and “Hannah Hold On” were clearly some of Pryor’s better offerings.

A Totally New Year
Sympathy (The Get Up Kids cover)
The Ghost of St. Valentine (Bayside cover)
Stay on the Phone (The New Amsterdams cover)
Like a Man Possessed (The Get Up Kids cover)
Freakish (Saves the Day cover)
Proceed With Caution (The New Amsterdams cover)
Still, There’s a Light
Hannah Hold On (The Get Up Kids cover)

Matt Pryor and Chris Conley

Matt Pryor and Chris Conley

Chris Conley joined Pryor to perform the festive “Rudolf the Red Nosed Reindeer”, the duo delivering a fun singalong in the spirit of the coming holiday. Conley’s solo set was almost entirely acoustic versions of Saves the Day songs, with only a cover of “Confidence Man” breaking things up near the end. The New Jersey native sounded fantastic, selecting a great hour-long setlist in the process. Conley’s Saves the Day songs were noticeably more intricate than those performed by Raneri and Pryor, with catchy finger-picked riffs adding constant variety to the set. Highlights included “Jessie and My Whetstone”, “Sell My Old Clothes, I’m Off to Heaven”, and “This is Not an Exit”. Unexpectedly, Conley concluded his time on stage with “Jodie” — the last song on Save the Day’s first record released in 1998 — pleasing longtime fans who were likely experiencing the song live for the first time.

Rudolf the Red Nosed Reindeer
Jessie and My Whetstone (Saves the Day cover)
I’m Sorry I’m Leaving (Saves the Day cover)
Take Our Cars Now! (Saves the Day cover)
Cars and Calories (Saves the Day cover)
Let It All Go (Saves the Day cover)
Rocks Tonic Juice Magic (Saves the Day cover)
Certain Tragedy (Saves the Day cover)
Stay (Saves the Day cover)
Sell My Old Clothes, I’m Off to Heaven (Saves the Day cover)
Confidence Man (Matt Pryor cover)
Dying Day (Saves the Day cover)
Hold (Saves the Day cover)
This is Not an Exit (Saves the Day cover)
Jodie (Saves the Day cover)

Dustin Kensrue

Dustin Kensrue

Unlike the previous three performers, Dustin Kensrue stuck primarily to his own solo output for the duration of his set. The beautiful “Pistol” and haunting “Consider the Ravens” from Please Come Home began the the Thrice frontman’s hour-song set. Kensrue covered one of Saves the Day’s oldest songs (“Three Miles Down”) before jumping into a stripped down version of one of Thrice’s newest (“In Exhile”).

Kensrue reflected on the Christian side of Christmas with “Go Tell it On the Mountain”, performing the traditional song with hints of Tom Waits’s own adaptation tossed in. Kensrue was undoubtedly at his best on songs from his 2007 debut — such as the fast-paced “I Knew You Before” and “Blood and  Wine” — but acoustic takes on tracks from Thrice’s The Artist in the Ambulance were also impressive. Kensrue touched on Waits again with the beautiful “Down There by the Train”, finally wrapping things up with help from Pryor on a Ryan Adams cover.

Pistol
Consider the Ravens
This is War
Three Miles Down (Saves the Day cover)
In Exile (Thrice cover)
I Knew You Before
Go Tell it On the Mountain
This Good Night Is Still Everywhere
Please Come Home
Stare at the Sun (Thrice cover)
Blanket of Ghosts
Blood and Wine
The Artist in the Ambulance (Thrice cover)
Beggars (Thrice cover)
Down There by the Train (Tom Waits cover)
Oh My Sweet Carolina (Ryan Adams cover)
Linoleum (NOFX cover)
Boxcar (Jawbreaker cover)
Christmas (Baby Please Come Home) (Darlene Love cover)

Anthony Raneri, Matt Pryor, and Chris Conley

Anthony Raneri, Matt Pryor, and Chris Conley

All four singer-songwriters joined together “to play some punk rock songs” (and one Christmas classic) to close the evening. Punk in Drublic‘s “Linoleum” went first, with the quartet of men in their thirties smiling ear-to-ear while singing lines like “I’ve got a bed, and a guitar, and a dog named Bob who pisses on my floor”. Jawbreaker’s “Boxcar” was chilling and graceful, thanks to both Blake Schwarzenbach’s lyrical prowess and the collective attitudes of Kensrue, Pryor, Conley, and Raneri. Phil Spector’s often-covered “Christmas (Baby Please Come Home)” concluded the evening, sending the sold out crowd into the winter cold smiling and warm from the enchanting evening; the lucky ones would be returning to New York City on Sunday for the tour’s second night.


Dashboard Confessional / Anthony Raneri @ Mahwah 4/9/2010

April 9, 2010

A potent duo of songwriters arrived in Mahwah, New Jersey, at Ramapo College’s Brady Center Arena on April 9: Anthony Raneri, frontman of Bayside, and Chris Carrabba’s Dashboard Confessional. Though the venue — a gym with basketball nets hanging on opposite ends — was certainly not built for a rock show, Ramapo staff did a great job of setting it up properly and working out the inevitable sound issues in a very timely manner.

Anthony Raneri

Anthony Raneri

Anthony Raneri began the night with “Good Fucking Bye”, a song written by Alkaline Trio guitarist Matt Skiba. The extremely personal “Don’t Call Me Peanut”, from Bayside’s 2005 self-titled album, followed, with a surprising number of fans singing along in the crowd. Raneri then worked out a solid acoustic rendition of Bad Religion’s “Sorrow” before playing a cut from Bayside’s latest album, the excellent “The Ghost of St. Valentine”. “The Ballad of Bill the Saint” — an original penned by Raneri for an upcoming solo album –  sounded great and was received warmly by the crowd.

Anthony Raneri

Anthony Raneri

As trippy lights danced on the wall behind the stage, Raneri acknowledged that the student-run stage lighting was more suited for a rock show and not for just one man and a guitar. Still, Raneri sounded great on”I and I” and “Duality” but it wasn’t until he covered Death Cab for Cutie’s hit “I’ll Follow You Into the Dark” that the crowd finally gave due applause. “Meghan”, a Smoking Popes original from 1997′s Destination Failiure — often covered by Bayside — closed the solid forty-five minute outing.

Good Fucking Bye (Matt Skiba cover)
Don’t Call Me Peanut (Bayside cover)
Sorow (Bad Religion cover)
The Ghost of St. Valentine (Bayside cover)
The Ballad of Bill the Saint
I and I (Bayside cover)
Duality (Bayside cover)
I’ll Follow You Into the Dark (Death Cab for Cutie cover)
Meghan (Smoking Popes cover)

Dashboard Confessional

Dashboard Confessional

Dashboard Confessional kicked things off with the soaring “Don’t Wait”, the first song from 2006′s Dusk and Summer. The band’s sound was unfortunately muddy through the first few songs, but by “Saints and Sailors” everything was ironed out. An intimate performance of “The Places You Have Come To Fear The Most” included pieces of Say Anything’s “I Can Get Sexual, Too” before Chris Carrabba retreated behind a piano for “Everybody Learns from Disaster”, the second of just four songs from his latest album, the excellent Alter the Ending.

Dashboard Confessional

Dashboard Confessional

Fan-favorites “Screaming Infidelities” and “Again I Go Unnoticed” were executed with perfection; Carrabba prefaced “Thick as Thieves” with a story about a former “foxy” kleptomaniac girlfriend. “As Lover’s Go” was one of the evening’s most massive performances, with Mike Marsh’s pounding drums echoing through the gym. “Remember to Breathe” was injected with other artists’ lyrics, including The Hold Steady’s “Steve Nix” and another ode to Say Anything in the form of “Woe”; a respectable cover of “Summer of ’69″ followed. One of Dashboard Confessional’s strongest cuts, “Vindicated”, went flawlessly before the band closed with “Stolen”. Following brief chants for one more song, Carrabba and his band returned on stage for a full-crowd singalong of the band’s signature song, “Hands Down”.

Don’t Wait
The Good Fight
The Motions
Saints and Sailors
The Places You Have Come To Fear The Most
Everybody Learns from Disaster
Screaming Infidelities
Again I Go Unnoticed
The Shade of Poison Trees
Belle of the Boulevard
Thick as Thieves
Tall Green Grass (Cory Branan cover)
As Lover’s Go
The Swiss Army Romance
Remember to Breathe
Get Me Right
Summer of ’69 (Bryan Adams cover)
Vindicated
Stolen
Hands Down

Dashboard Confessional

Dashboard Confessional

It’s hard to imagine a more well-balanced Dashboard Confessional setlist built for a college crowd: Carrabba hand-picked a nice selection from each of his band’s six full-length albums, even finding room for an acoustic cover of  “Tall Green Grass” which sounded infinitely better than Cory Branan’s original. Carrabba undeniably connected with the crowd of screaming fans, most of whom were barely ten years old when the thirty-five year old singer-songwriter first started penning his emo-driven confessionals. Much has changed since The Swiss Army Romance, but one thing remains the same: Carrabba is an excellent musician with an uncanny ability to drive every girl in the audience absolutely wild with just riff in E-flat.

Dashboard Confessional photographs provided by the excellent Brian Reilly.


Anthony Raneri / Kevin Devine / Vinnie Caruana / JT Woodruff / Shane Henderson @ Farmingdale 1/21/10

January 21, 2010

Assembling the chief songwriters of Bayside, I am the Avalanche, Hawthorne Heights, and Valencia, and tossing in Kevin Devine,  Long Island’s Crazy Donkey hosted an evening of acoustic performances by five talented musicians. Each artist approached their set in a completely different manner, making for an unpredictable and exciting evening.

The night’s first performance was by Valencia frontman Shane Henderson, though I unfortunately managed to catch just two songs. Henderson’s penultimate song was “Away We Go”, a song recorded by Valencia for their debut album, This Could Be a Possibility, but originally appearing on Promise of Redemption’s Lights That Flicker Will Surely Fade – Henderson’s debut solo album. “From the Second I Wake Up…”, a song from Promise of Redemption’s second album, closed the set.

JT Woodruff performed next, playing a seven-song set that included six originals and one Face to Face cover, chosen for its significance in introducing the Hawthorne Heights songwriter to punk rock. Wisely opting not to perform any of his band’s songs (even denying a request for the awful “Ohio is for Lovers”), Woodruff’s performance was somewhat enjoyable yet clearly the weakest link in an otherwise outstanding night. The set began with a song about his hometown, followed by a quick number about his daughter Avery. The set’s highlight was clearly “Friends in the Sky”, a heartfelt tribute to lost friends including former bandmate Casey Calvert, Bayside’s John “Beatz” Holohan, and recently deceased Avenged Sevenfold drummer “The Rev”. Woodruff closed his set on a less-heavy note, however, with “Least Favorite Things 2009″, a jab at the current neon culture and even Lady Gaga. The set:

(New song)
Avery
Disconnected (Face to Face cover)
(New song)
(New song)
Friends in the Sky
Least Favorite Things 2009

Vinnie Caruana

Vinnie Caruana

Vinnie Caruana began his set with a solid new song, moving quickly into staple “Hey” from The Movielife’s Forty Hour Train Back to Penn. “Drinking Song” and “Green Eyes”, from Caruana’s current project, I am the Avalanche, sounded great. A few more favorites from The Movielife and some rants about New York sports–specifically regarding the success of the New York Jets and the disappointments of the New York Mets–preceded “Brooklyn Dodgers”, a new I Am the Avalanche song dedicated to his mother and father in attendance. The extremely personal “I Took a Beating” closed out a solid set from the Long Island native. The full set:

(New song)
Hey (The Movielife)
Drinking Song (I am the Avalanche)
Green Eyes (I am the Avalanche)
Sailor Tattoos (The Movielife)
Walking on Glass (The Movielife)
Brooklyn Dodgers (I am the Avalanche)
I Took a Beating (I am the Avalanche)

Kevin Devine

Kevin Devine

Brooklyn boy Kevin Devine played fourth, beginning with “Brother’s Blood” from his 2009 album of the same name. Despite being stripped down to its acoustic roots, the song benefited greatly from Devine’s unfeigned and fiery delivery. “Noose Dressed Like a Necklace”, from 2003′s Make the Clocks Move, was a welcomed addition to the setlist; “Keep Ringing Your Bell” was as personal and sincere as any song all evening. Unafraid to show his political and religious convictions, “Another Bag of Bones” injected biting cynicism into the set. A promising, brand new song preceded “Cotton Crush”; “Ballgame” found Devine once again tackling politics, this time in context to his own life decisions. The final song of Devine’s excellent nine-song selection was “Yr Damned Ol’ Dad”, performed significantly slower and softer than normal. The full list:

Brother’s Blood
Noose Dressed Like a Necklace
Keep Ringing Your Bell
Another Bag of Bones
Carnival
(New song)
Cotton Crush
Ballgame
Yr Damned Ol’ Dad

Headliner Anthony Raneri began his thirteen-song setlist with a solid cover of Matt Skiba’s “Good Fucking Bye”, receiving a fairly warm response. The crowd really cheered, however, as Raneri started to play the opening notes of the extremely emotional “Don’t Call Me Peanut”. A strong cover of Bad Religion’s “Sorrow” preceded “Landing Feet First”, a song Raneri called the “first and last love song” he has ever written.

Anthony Raneri

Anthony Raneri

After briefly explaining that using a capo on his guitar was new territory for the experienced frontman, Raneri performed “The Ghost of St. Valentine” from Bayside’s Shudder and Tim McGraw’s “Just to See You Smile”. Talking over the intro riff of “Duality”, Raneri commented that this song finally allowed him to have his “rockstar moment” — that is, a song with an introduction that can be extended indefinitely while the band addresses the crowd over the riff.

A sloppy Counting Crows cover followed, but Raneri rebounded with a compelling performance of “The Ballad of Bill the Saint”, a song destined one day for an Anthony Raneri solo album. Acknowledging that he has too much respect for the instrument to call himself a “true guitarist”, Raneri condeded that he probably butchers “I’ll Follow You into the Dark” but loves the song and plays it anyway. Oft covered by Bayside, Smoking Popes’s “Megan” finished the set. The full list:

Good Fucking Bye (Matt Skiba cover)
Don’t Call Me Peanut (Bayside)
Sorrow (Bad Religion cover)
Landing Feet First (Bayside)
The Ghost of St. Valentine (Bayside)
Just to See You Smile (Tim McGraw cover)
Duality (Bayside)
Blame it on Bad Luck (Bayside)
A Long December (Counting Crows cover)
I and I (Bayside)
The Ballad of Bill the Saint
I’ll Follow You into the Dark (Death Cab for Cutie cover)
Megan (Smoking Popes cover)

With each artist taking a unique approach to his set (originals, covers, and parodies), the night moved along at a rapid pace; downtime between artists was brief — it was, after all, just a microphone and a guitar that needed setup. With the longest set time and biggest fanbase in attendance, Anthony Raneri clearly stole the show. Still, Kevin Devine’s performance was the most seasoned, making it clear that as a solo artist he is by far the most talented of the batch.


Anthony Raneri / Vinny Caruana / Destry @ Hoboken 6/18

July 28, 2009

Maxwell’s in Hoboken, NJ, is one of my favorite venues in the area. Host to many great shows over the years, the venue is best known for its intimate atmosphere–the musicians and performers have to walk through the crowd to get to the stage. Drinks flow easily from the bars, and there are no bouncers or rails to guard the stage.

Destry

Destry

Formed in the wake of Michelle DaRosa’s departure from Straylight Run, Destry–playing a blend of folk and rock–opened the evening. After collaborating with (and being overshadowed by) her brother John Nolan for years, DaRosa finally got the chance to show her own abilities. Joined by hometown friends from Cassino and Straylight Run (drummer Nico Childrey, guitarist Tyler Odom, and bassist Shaun Cooper), the band’s first show was incredibly promising. Destry mixed a few covers into their brief set (Sam Cooke’s “Chain Gang” and The Everly Brothers’s “All I Have to Do is Dream”), dually showcasing their influences and tight harmonies.

Vinny Caruana

Vinny Caruana

Vinnie Caruana played next. Mixing up covers of both his bands (I Am the Avalanche and the now-defunct The Movielife), Caruana sounded like a wounded punk veteran of the scene. At only thirty, he came off much older–wiser, even. The crowd sang along to some of his back catalog’s staples, such as Forty Hour Train Back To Penn‘s “Hey”.  “I Took a Beating” took on its original acoustic form (found on a split with The Early November), and a number of other songs from I Am the Avalanche’s eponymous debut received solid treatment.

Bayside’s Anthony Raneri headlined the evening with just his acoustic guitar. Raneri sounded great, performing a nice mix of Bayside material and covers, in addition to a brand new song (“The Ballad of Bill The Saint”) to appear on his upcoming solo album. Shudder‘s “The Ghost of St. Valentine” was a nice surprise and the only Bayside song of the evening to not have received prior acoustic treatment on CD. The full setlist, to the best of my recollection:

Anthony Raneri

Anthony Raneri

Good Fucking Bye (Alkaline Trio cover)
Don’t Call Me Peanut
Sorrow (Bad Religion cover)
Landing Feet First
Blame It on Bad Luck
The Ghost of St. Valentine
The Ballad of Bill The Saint
They Looked Like Strong Hands
Duality
Boxcar (Jawbreaker cover)
I and I
I Will Follow You Into the Dark (Death Cab For Cutie cover)
Megan (The Smoking Popes cover)

“Landing Feet First” was dedicated to his wife (in attendance). “Boxcar” was a nice surprise for the few audience members old enough to remember Jawbreaker, while “I Will Follow You Into the Dark” should probably stay with Ben Gibbard. During “Duality”, Raneri joked that Bayside finally became a “legit” band due to the song–more specifically, the song’s intro riff on guitar that allows him to address the crowd before songs like “all the other legit bands”.

The evening was brief but quite enjoyable, and it’s always nice to hear some old The Movielife songs whenever possible. Destry was a nice surprise: the band has serious talent and potential, so don’t let them slip by your radar. Anthony Raneri was excellent, proving that even as stripped down acoustic numbers, Bayside has some incredibly well-written songs.

Photos by Devyn Manibo.


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