Rise Against / Alkaline Trio / Thrice / The Gaslight Anthem @ NYC 10/14

October 23, 2008

Possibly the best tour of 2008 arrived in New York City on October 13 and 14, the four punk-inspired acts selling out the 3500 capacity Roseland each night. I made it out to the second night, anticipating a show featuring four of my favorite bands.

The Gaslight Anthem opened the evening with “Great Expectations”. Sounding as tight as the previous times I’ve seen them, they played for about thirty minutes, tossing in older songs in addition to new standards like The ’59 Sound‘s title track and “Say I Won’t (Recognize)”. On any other tour their performance likely would have stolen the show, but the young blue-collar punks were opening for some of the scene’s most talented veterans.

These veterans include Southern California’s Thrice, a band that has been redefining their sound for the last decade. The band opened with “The Messenger” from The Alchemy Index Vols. I + II, a hard-hitting track that set the tone for their set. Playing a fairly mixed set of cuts from as early as 2002 (“Deadbolt”), the band outshined The Gaslight Anthem’s incredible performance, even including a cover of The Beatles’ “Helter Skelter”. Songs such as “The Melting Point of Wax”, “The Artist in the Ambulance”, “Motion Isn’t Meaning”, “Of Dust and Nations”, and “Firebreather” found their way into the night as well before the band closed with a pummeling performance of Vheissu‘s “The Earth Will Shake”.

Chicago dark-punk stalwarts Alkaline Trio took the stage next. In comparison to The Gaslight Anthem and Thrice, the band sounded flat and uninviting, despite playing for nearly an hour. The first two bands seemed to lure the entire audience (fans and newcomers alike) into their sound, but Alkaline Trio seemed to only excite diehards. Their newer material is less edgy, and songs like “Calling All Skeletons” just don’t do the band justice in a live setting. A combination of sloppy renditions of great songs (“Radio”) and playing after two great bands marred what could have been an otherwise strong outting.

Rise Against singer Tim McIlrath.

Rise Against frontman Tim McIlrath.

In no uncertain terms did Rise Against make a case for why they should be headlining a tour of this magnitude. Their set spanned much of the band’s existence, moving from loud and inciting (“State of the Union”) to calm and reflective (the well-crafted and beautiful “Swing Life Away”). The latter is largely responsible for their huge fan base–and rightfully so. Rise Against thrives on writing hook-laced singles that are great live songs (“Prayer of the Refugee”, “Ready To Fall”, “Re-Education (Through Labor)”).

Perhaps the band’s essence was summed up while covering Minor Threat’s “Minor Threat”, during which the band was joined by NOFX’s Fat Mike. The song combined the band’s primal influences with the man responsible for signing the band to their first record deal. All of this as part of a second encore, illustrating the band’s current status in 2008.

Rise Against never sounded so sure or so potent live, easily their best performance I’ve had a chance to experience. Vocalist Tim McIlrath’s sincere vocals demand the audience’s attention, and singalongs are never more than a verse away. Laying down for no man or government, the band pulls no punches and continues to demonstrate that a superior live show starts with great songs and ends with honest energy.

ATTENTION: inTuneMusic was unable to acquire any setlists from this incredible evening. If you know the songs in order of any of the bands from this evening please post them in the replies and the article will be updated! Thank you!


The Gaslight Anthem / The King Left / Let Me Run @ New Brunswick 9/12

October 13, 2008

Since the release of their sophomore full-length,The ’59 Sound, I’ve been looking to see The Gaslight Anthem perform live–and what better place than in their New Brunswick hometown? Fellow North Jersey punks Let Me Run and New York City’s The King Left supported; Polar Bear Club, on the bill, canceled last minute due to van troubles.

Let Me Run opened the evening at Rutgers University’s Cook Campus Center. The band’s songs were brightly accented by a winding lead guitar, cutting through and overpowering the band’s otherwise simple progressions and rhythms. Strong vocals and big hooks add to the punch, and it’s hard not to recommend checking the band out live. The same can’t be said for their demo EP, handed out for free after their set; in the studio, they unfortunately don’t come off with the same aggression and tight sound, and it’s instantly forgettable. Hopefully their upcoming album on XOXO Records (former home of The Gaslight Anthem) is well-focused and potent, because the four-piece certainly shows talent and unexplored potential.

The King Left took the stage soon after, their sound quite different from that of Let Me Run. Inspired by the latest wave of throwback British indie bands, The King Left showcased musical talent and ability but ultimately proved to be too boring. Exciting songs suffered from excessive repetition without introducing anything worthwhile during the drawn out instrumentals. The band has toured with the likes of We Are Scientists, Secret Machines, and Tokyo Police Club; certainly their sound is comparable, but it is ultimately much less refined and not as appealing. Like Let Me Run, however, the band is young and shows much promise.

Introduced to the blue-collar punk-rock quartet last New Year’s Eve, I had the greatest expectations for The Gaslight Anthem. In a thus far docile crowd lurked at least fifty-dedicated Gaslight fans; they came to dance, ready to sing every one of frontman Brian Fallon’s lyrics. “Mary, this station is playing every sad song, I remember like we were alive” were his first words (from The ’59 Sound‘s first track, “Great Expectations”), and the crowd was immediately hooked.

The band wears their New Jersey influences proud, drawing from Bruce Springsteen to The Bouncing Souls, with stops on board with other influential artists across the map (and century) including Alkaline Trio and Otis Redding. The integration and synergy between rock legends and underground punk has never sounded so authentic, meaningful, or pure. By the time the band begins “Miles Davis and the Cool” (a nod to yet another of the band’s influences), a glance around the audience reveals a unifying thought on the minds of every new listener:

There’s something reassuringly familiar about The Gaslight Anthem, but at the same time it is incredibly new and exciting. No one dared look away during the band’s near two hour performance that spanned across their three release discography. The band played extremely well, with tight guitars and a solid rhythm section holding the band’s sound in place while Fallon sang his heart out. The vocals were mixed a bit low, and the room’s sound left much to be desired, but it hardly detracted from a band that clicked so well through their twenty song set:

Great Expectations
Wooderson
Casanova, Baby!
We Came to Dance
I’da Call You Woody, Joe
Angry Johnny On the Radio
The ‘59 Sound
Film Noir
Señor and the Queen
Old White Lincoln
Miles Davis & the Cool
Blue Jeans & White T-Shirts
Even Cowgirls Get the Blues
1930
Say I Won’t (Recognize)
The Backseat
The Patient Ferris Wheel
The Navesink Banks
Drive
I Coulda Been a Contender

Throughout the set Fallon told tales of the band’s recent trip to Australia, describing a fortune-teller who would tell the band fortunes for a nominal fee–but not the band’s fortunes, merely the fortunes of strangers in other parts of the country. Anecdotes like these filled the evening, the band joking with the crowd like the room was filled with old friends.

The band will open for Rise Against, Alkaline Trio, and Thrice for a fall tour, completing what could possibly be the best four-band lineup of 2008. If their performance at Rutgers is any indication, expect the band to hold their own on that monster bill of proven veterans.


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