MC Lars @ New Brunswick 9/10

September 12, 2008

When I learned that the Crocs Next Step Campus Tour would be coming to Rutgers University, it immediately piqued my interest–headliners Cartel would be bringing along MC Lars, an innovative “post-punk laptop rapper” that criticized the Band in the Bubble. Walking around campus during the day I ran into Lars who informed me that he would be playing at 9PM sharp; I had no interest in Cartel or direct-support Young Joc, so I arrived at 9PM and left around 10PM after speaking with Lars for some time at his merch booth.

Opening with “Space Game” from The Graduate, MC Lars set the tone for his thirty-minute set immediately. With a projector behind him, various lyrics (“I’m on fire tonight”) would appear with photos of the space-themed subjects discussed in the song (Star Wars’s Boba Fett, Futurama’s Fry, etc). A brief interaction with 2001: A Space Odyssey‘s HAL even cut into the song midway. With a full band behind him and a host of samples at his disposal, Lars continued into “21 Concepts” which proved to be one of the more interesting videos of the night: numbered concepts of failed song ideas appearing on the screen.

Only a few fans in the crowd knew his material, but Lars still put his full energy into the performance. Unfortunately, the sound wasn’t stellar–vocals were way too low in the mix and the guitar was excruciatingly loud and overpowering. Even knowing the words to most of his material, it was difficult to make out many of Lars’s incredibly witty lyrics; would-be fans in the crowd complained after the show that it was just too difficult to make out the MC’s verses. “Mr. Raven”, a shoutout to “America’s favorite anti-transcendentalist” Edgar Allen Poe, was an extremely tight performance, however. The crowd, enthused with the pounding chorus and Brand New bassline (“Okay, I Believe You But My Tommy Gun Don’t” from Deja Entendu), began to respond to Lars.

“Download This Song”, probably the most well-known song Lars would play, was solid. With Iggy Pop’s “The Passenger” as a foundation, the song was incredibly well-received and well-performed. On the topic of music piracy, Lars offered a tip for peer-to-peer college downloaders: “set your uploads to zero” to avoid RIAA detection.

Dedicated to the southern states dealing with Hurricanes Hannah and Ike, The Scorpions-sampled “Hurricane” followed before “iGeneration”. “Singing Emo”, on the setlist, was unfortunately not played. Lars closed with “Hot Topic Is Not Punk Rock”, a song built around an early ’90s Southern California 4/4 drum beat and a thrashing bassline.

Speaking with Lars after the show, I learned a little more about the “Bubble incident” and Lars being added to the tour after it had already been booked. Apparently Cartel was “pretty pissed” about the video, but they’re “cool dudes” and it’s water under the bridge. After a brief discussion of great venues in the area (Philadelphia’s First Unitarian Church seemed to top both our lists), I learned that he would be returning with MC Frontalot in November. This current tour, however, continues around the country until the end of September; if it comes through your area don’t miss the chance to see MC Lars.

MC Lars

MC Lars's planned set for Rutgers.


Matt Pryor / Kevin Devine / Jonah Matranga @ Asbury Park 9/4

September 11, 2008

Despite billing former The Get Up Kids frontman Matt Pryor as the headliner, New York City’s Kevin Devine appeared to be the main draw on a warm Thursday night at the Jersey shore. Unlike my trip to the Asbury Park Convention Hall three weeks ago, there were no long lines and no parents accompanying pre-teen girls. Instead, only about two hundred devoted fans came to see three excellent acoustic performers at the eight hundred-person capacity Stone Pony.

Jonah Matranga

Even after cutting his pointer finger in the kitchen, Jonah Matranga took the stage--bandaged up.

With a recent injury to his right pointer figure, thirty-nine year old veteran Jonah Matranga (onelinedrawing, Far, New End Original, Gratitude) was unable to perform his typical set: heavily finger-picked songs, such as my request for “Mother Mary”, were dropped. Instead, he played primarily with a pick and used his other fingers pick out basslines. Despite the injury and the improvised setlist, however, Jonah managed to sound incredible, even covering Sinéad O’Connor in the process. I spoke with him later; upon informing him that I had not seen him since Gratitude; he apologized for the lack of songs from that eponymous album. Pouring the last seven dollars out of my pocket onto the merch table, he even sold me one of his awesome shirts for well below normal price of $15 saying “thanks so much, it’s not about the money”. Jonah is performing September 14 at Maxwell’s in Hoboken; if you’re in the New Jersey area I’d highly recommend checking him out; he even promised to play “Mother Mary”.

Kevin Devine

Kevin Devine sweating on, and inspecting, Matt Pryor's Takamine.

Kevin Devine performed next, opening with “Hand of God”. He tossed in the new (and excellent) “Another Bag of Bones” and Sinéad O’Connor’s “Black Boys on Mopeds”. Disappointingly, he skipped out on a few of my favorites, but he did throw in essentials “Yr Damned Ol’ Dad”, “Refugees”, “You’ll Only End Up Joining Them”, and “Brooklyn Boy” (with the “The Fresh Prince of Bel-Air” intro). Midway through the set he experienced problems with the pickups on his trusty Gibson and had to borrow Matt Pryor’s Takamine. Even with technical difficulties, Kevin played well but unfortunately didn’t play enough songs. Kevin will be returning September 20 to Asbury Park to play at the extremely tiny Wonderbar.

Kansas native Matt Pryor played for about an hour, throwing in a chunk of The Get Up Kids songs despite being on tour to promote his newest solo record, Confidence Man. Songs like “Never Treat Others” and “Michelle With One ‘L’” received solid solo treatment, while songs like “Campfire Kansas” were omitted as Pryor repeatedly explain to the crowd that other Get Up Kids vocalist Jim Suptic sang those songs. Pryor jokingly told the crowd to “request Matt Pryor songs” at Black Pool Lights (Suptic’s new band) shows. The talk of covers did spark a Reggie and the Full Effect cover before Pryor jumped into “When I Get To Eleven” from If You Ever See An Owl, the debut album by The Terrible Twos. A few more solo songs and some Get Up Kids cuts rounded out a great setlist that I only wish had featured the notably absent “Out of Reach” from Something to Write Home About.

Matt Pryor

Matt Pryor working out a Get Up Kids song acoustically.

Despite the near-empty Stone Pony, each of the three performers played well and put on a great show; the Sinéad O’Connor cover battle hopefully introduced a new generation to the Irish singer-songwriter’s works. Amidst rumors of The Get Up Kids reuniting for a spring tour, it was great to see Matt Pryor still in great form. Even material from Confidence Man was warmly received, despite the crowd knowing few of the songs. It would be hard to find three better solo artists on one bill in 2008.


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